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Atlas of the European Novel 1800-1900

TLDR
Moretti as mentioned in this paper explored the fictionalization of geography in the nineteenth-century novel and found that space may well be the secret protagonist of cultural history, in a series of one hundred maps, alongside Spanish picaresque novels, African colonial romances and Russian novels of ideas.
Abstract
In a series of one hundred maps, Franco Moretti explores the fictionalization of geography in the nineteenth-century novel. Balzac's Paris, Dickens's London and Scott's Scottish Lowlands are mapped, alongside the territories of Spanish picaresque novels, African colonial romances and Russian novels of ideas, in a path-breaking study which suggests that space may well be the secret protagonist of cultural history.

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Journal ArticleDOI

Of Probablility, Romance, and the Spatial Dimensions of Eighteenth-Century Narrative

TL;DR: This article argued that the eighteenth-century British novel bore a close but complex relation to the genre of romance, which made the revival of romance in the form of, say, Gothic fiction a powerful expression of desire and difference in the later eighteenth century and partly explains the popularity of Walter Scott's novels, with their reification of history into spatial zones differentiating a modern British core from its ''romantic\" Celtic periphery.
Journal ArticleDOI

Literary Geography and Sovereign Violence: Resisting Tocqueville's Family Romance:

TL;DR: Tocqueville's discussion of the influence of democracy on the American family, from which the epigraph on social versus kindred ties is taken, was taken as discussed by the authors, and his observations to a comparison between the traditional aristocratic family in Europe and white bourgeois families in nineteenth-century "America," and perceiving what he regarded as a spirit of equality prevailing "around the domestic hearth,"
Book ChapterDOI

A Spatial Typology of Cinematographic Narratives

TL;DR: In this article, a spatial typology of cinematographic narratives using a cybercartographic application has been developed to map the narrative structure of 46 contemporary Canadian films, characterized by the locations of the action, the movement between these locations, and the different places mentioned in these films.