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Open AccessJournal ArticleDOI

Cultural industries and cultural policy

David Hesmondhalgh, +1 more
- 01 Mar 2005 - 
- Vol. 11, Iss: 1, pp 1-13
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TLDR
In this article, the cultural industries became such an important idea in cultural policy, when those industries had been largely invisible in traditional (arts and heritage-based) policy for many decades.
Abstract
This article analyses and contextualises a variety of relationships between the cultural industries and cultural policy. A principal aim is to examine policies explicitly formulated as cultural (or creative) industries policies. What lies behind such policies? How do they relate to other kinds of cultural policy, including those more oriented towards media, communications, arts and heritage? The first section asks how the cultural industries became such an important idea in cultural policy, when those industries had been largely invisible in traditional (arts‐ and heritage‐based) policy for many decades. What changed and what drove the major changes? In the second section, we look at a number of problems and conceptual tensions arising from the new importance of the cultural industries in contemporary public policy, including problems concerning definition and scope, and the accurate mapping of the sector, but also tensions surrounding the insertion of commercial and industrial culture into cultural polic...

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References
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Book

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TL;DR: The Dialectic of Enlightenment as mentioned in this paper is one of the most celebrated and often cited works of modern social philosophy, and it has been identified as the keystone of the 'Frankfurt School', of which Theodor Adorno and Max Horkheimer were the leading members.
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The Cultural Industries

TL;DR: In this article, the authors discuss change and continuuity, power and creativity in the cultural industries in the twenty-first century, and the impact of the Internet and digitalization on existing cultural industries.
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TL;DR: Free Culture as discussed by the authors is a book published in 2004 and focused on presenting another way of organizing culture and knowledge, opening the restrictions of the obsolete paradigm of copyright, and relying on the copyleft model promoted by free software.
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Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems

TL;DR: In this paper, the authors outline the structure and operation of entrepreneurial organizations in the most speculative segments of three cultural industries: book publishing, phonograph records, and motion pictures, and propose three adaptive "coping" strategies: the deployment of "contact" men to organizational boundaries; overproduction and differential promotion of new items; and the cooptation of mass-media gatekeepers.
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The creative city