Book ChapterDOI
Film and narration: two versions of Lolita
Robert Stam
- pp 111-131
TLDR
In this article, a particular kind of narration, to wit unreliable narration, is discussed, which is a kind of changing narrators that mutates before our eyes, as narrated by a character who learns about the true source of his fortune.Abstract:
As Wayne Booth points out in The Rhetoric of Fiction (1983), we react to narrators as we do to persons, finding them likeable or repulsive, wise or foolish, fair or unfair. Narrators vary widely on a broad spectrum, not only in terms of likeability but also in terms of reliability. Some are honest brokers, while others are pathological liars. On a scale of trustworthiness, narrators range from those who are almost completely suspect (such as Jason Compson in The Sound and the Fury [1929]) to those who are more or less reliable (Nick Carraway in The Great Gatsby [1925], Bras Cubas in Posthumous Memoirs of Bras Cubas [1880]) to those who serve as dramatized spokespersons for the implied author and whose values conform to the norms of the text (Joseph Conrad's Marlow in Heart of Darkness [1902]). What interests me here is a particular kind of narration, to wit unreliable narration. The modern period has been especially fond of 1) changing narrators and 2) unreliable narrators. Changing narrators alter their discourse and ideas as they narrate; they mutate before our eyes. This trait is especially true of the Bildungsroman or novel of development (for example, Great Expectations [1851]); part of the plot, in such novels, is not just what happens but how the narrator changes as a result of what happens, for example when Pip learns about the true source of his fortune.read more
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Journal ArticleDOI
“Putting the geography of the United States into motion”: Kubrick’s Lolita as an American Travelogue
TL;DR: In this article, the authors analyse the representation of l’Amerique percue par un Europeen dans le Lolita de Kubrick, and envisager le film comme travelogue fictif.
Journal ArticleDOI
Music and Songs in Lolita, novel and film
TL;DR: In this paper, a study of chansons dans le roman de Nabokov (1955) and the adaptation filmique of Stanley Kubrick (1962) is presented.
References
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Journal ArticleDOI
Narrative discourse : an essay in method
TL;DR: Cutler as mentioned in this paper presents a Translator's Preface Preface and Preface for English-to-Arabic Translating Translators (TSPT) with a preface by Jonathan Cutler.
Book
Audio-Vision: Sound on Screen
Michel Chion,Claudia Gorbman +1 more
TL;DR: The Audiovisual ContractProjections of Sound on ImageThe Three Listening ModesBeyond Sounds and ImagesLines and Points: Horizontal and Vertical Perspectives on AudiovISual Relations