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Open AccessBook Chapter

How to Study Ownership and Regulation

Des Freedman
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TLDR
The Handbook of Television Studies as discussed by the authors charts the field of television studies from issues of ownership and regulation through to reception and consumption, examining the roles of journalists, writers, cinematographers, producers and manufacturers in the production process.
Abstract
Bringing together a truly international spread of contributors from across the UK, US, South America, Mexico and Australia, this Handbook charts the field of television studies from issues of ownership and regulation through to reception and consumption. Separate chapters are dedicated to examining the roles of journalists, writers, cinematographers, producers and manufacturers in the production process, whilst others explore different formats including sport, novella and soap opera, news and current affairs, music and reality TV. The final section analyses the pivotal role played by audiences in the contexts of gender, race and class, and spans a range of topics from effects studies to audience consumption.

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“You’re not here for the right reasons!” From The Bachelorette to Instagram Influencer

TL;DR: Despite vast research on reality television (RTV) and The Bachelor (2002) franchise specifically, most scholarship focuses on its appeal or negative impact on viewers as discussed by the authors, despite the inclusion of social media.
References
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Journal ArticleDOI

“You’re not here for the right reasons!” From The Bachelorette to Instagram Influencer

TL;DR: Despite vast research on reality television (RTV) and The Bachelor (2002) franchise specifically, most scholarship focuses on its appeal or negative impact on viewers as discussed by the authors, despite the inclusion of social media.