Journal ArticleDOI
Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary / Sexual Futures, Queer Gestures, and Other Latina Longings / Paper Knowledge: Toward a Media History of Documents
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This article is published in Quarterly Journal of Speech.The article was published on 2015-02-04. It has received 25 citations till now. The article focuses on the topics: Queer & Poetics.read more
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The Incorporated Hornist: Instruments, Embodiment, and the Performance of Music
TL;DR: The author states that the music presented in this book is intended to be treated as a collection of musical examples, not as a treatment of classical music.
Journal ArticleDOI
Of turning and tropes
TL;DR: The authors argue that academic turns are commonly figured through tropes of classical physics that portray time as linear, the field as an empirical path, and turns as discrete, progressively patterned events that can be reflected upon as determinate moments in time.
Dissertation
Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance
TL;DR: In this paper, a series of excerpts from pedagogical texts on instrumental music performance written in the eighteenth, nineteenth, and twentieth centuries is presented to illuminate a discussion about vocality that has long been ongoing.
References
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The Incorporated Hornist: Instruments, Embodiment, and the Performance of Music
TL;DR: The author states that the music presented in this book is intended to be treated as a collection of musical examples, not as a treatment of classical music.
Journal ArticleDOI
Of turning and tropes
TL;DR: The authors argue that academic turns are commonly figured through tropes of classical physics that portray time as linear, the field as an empirical path, and turns as discrete, progressively patterned events that can be reflected upon as determinate moments in time.
Dissertation
Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance
TL;DR: In this paper, a series of excerpts from pedagogical texts on instrumental music performance written in the eighteenth, nineteenth, and twentieth centuries is presented to illuminate a discussion about vocality that has long been ongoing.