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Journal ArticleDOI

Lyric History: Temporality, Rhetoric, and the Ethics of Poetry

John Michael
- 01 Jan 2017 - 
- Vol. 48, Iss: 2, pp 265-284
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TLDR
The authors argue that the meaning of lyric and its engagement with the world exists in the futurity of its reader, the unpredictable phenomenology of its reception, and that history itself has a lyrical aspect.
Abstract
In this essay, I am less interested in the specifics of the on-going polemics around the "new lyricism," than I am in the problematics of historical engagement and ethical implication that subtend them and open onto more general problematics of textuality, history, and interpretation that lyrics often foreground. These problematics do not obviate the importance of historical considerations in lyrical reading, nor do they undermine the crucial importance of history itself in our social and political lives. To refocus critical attention on poetry's connection with its readers and the world, as in the new lyric studies, also reminds us that lyric has a rhetorical aspect and that the indeterminacies of lyric's representation of a recollected moment of being or experience cannot be resolved by appeals to history as a ground for interpretation. The meaning of lyric and its engagement with the world exists in the futurity of its reader, the unpredictable phenomenology of its reception. Paradoxically, the historicization of lyric reminds us that history itself has a lyrical aspect. It combines recollection and projection, a statement of a past experience or state of being addressed to the subjectivity of a future reader or audience whose

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Victorian Photography, Painting, and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites@@@Ruskin and Environment: The Storm-Cloud of the Nineteenth Century

TL;DR: In this article, the discourse of natural beauty, the city and the self, Phillip Mallet pollution, defilement and the art of decomposition, David Carroll ''mappa mundi, anima mundi'' - imaginative mapping and environmental representation, Denis Cosgrove \"A great entail\" - the historic environment, Gill Chitty the role of the railways, Jeffrey Richards the National Trust - preservation or provision?, John Walton environment and apocalypse, Michael Wheeler conclusion, Terry Gifford.
Journal ArticleDOI

Lyric Time: Dickinson and the Limits of Genre.

TL;DR: Cameron as mentioned in this paper suggests that the temporal problems of Dickinson's poems are frequently exaggerations of the features that distinguish the lyric as a genre, and that it is precisely the distance some of her poems go toward the far end of coherence, precisely the outlandishness of their extremity, that allows us to see, magnified, the fine workings of more conventional lyrics.
Journal ArticleDOI

Mary Wroth, Ovid, and the Metamorphosis of Petrarch

TL;DR: The Spring Now Come att Last (SWL) from Pamphilia to Amphilanthus (1621) as discussed by the authors explores parallels between Wroth's poem and the metamorphosis of the Heliades, who turn into poplars while mourning their brother Phaeton in book 2 of the Metamorphoses.
References
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Book

The Painter of Modern Life and Other Essays

TL;DR: The painter of modern life Edgar Allan Poe -his life and works further notes on Edgar Poe Wagner and Tannhauser in Paris on the essence of laughter some French caricature artists some foreign caricaturists a philosophy of toys philosophic art as mentioned in this paper.
Book

The poems of Emily Dickinson

TL;DR: In this paper, the authors present a collection of first lines of Poetry 1-1789 Appendixes 1 Distribution by Year 2 Editorial Notes Index of First Lines Index of first Lines
Book

The Singularity of Literature

TL;DR: The Singularity of Literature as mentioned in this paper considers the implications of regarding the literary work as an innovative cultural event, both in its time and for later generations, and provides a rich new vocabulary for discussions of literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form.