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Perverse Spectators: The Practices of Film Reception

Janet Staiger
TLDR
Perverse Spectators as discussed by the authors studies the interpretive methods of spectators within their historical contexts to understand the role media plays in culture and in our personal lives, using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates.
Abstract
Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.

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Journal ArticleDOI

I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research

TL;DR: Charpentier et al. as mentioned in this paper revisited some of the forgotten achievements of the Uses and Gratifications tradition, offers a critique of the dominant "Hall model" for conceiving media/audience relations, and outlines the key concept of an alternative approach: the concept of a "viewing strategy", which has been at the heart of the 2003-2004 international project on the reception of The Lord of the Rings.
Dissertation

Exploring abjection in twenty-first century ‘quality’ TV horror and the abject spectrums of its online fan audiences

James Rendell
TL;DR: Gillan et al. as discussed by the authors explored the cultural and subtextual meaning of TV horror, evidencing how graphic horror is implemented as a discursive marker of quality TV aesthetics within specific production and (trans)national contexts.
Journal ArticleDOI

RELOCATING AMERICAN FILM HISTORY: The ‘problem’ of the empirical

Robert C. Allen
- 16 Aug 2006 - 
TL;DR: The authors argues that one of the legacies of "grand theory" in film studies is an ambivalence toward the spatial and social conditions of the cinematic experience, and that this suspicion of the empirical has also conditioned scholarship on the history of movie audiences and reception.
MonographDOI

Technē/Technology : Researching Cinema and Media Technologies - Their Development, Use, and Impact

TL;DR: Technē/Technology as mentioned in this paper is a critical volume on the theories, philosophies, and debates on technology and their productivity for the fields of film and media studies, including contributions by experts working in very different ways on a wide range of technology-related issues.