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Reality Check: Ian McEwan’s Rational Fictions

Rachel Holland
- 18 Apr 2017 - 
- Vol. 58, Iss: 4, pp 387-400
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TLDR
This paper identified a scientific turn in two recent novels by Ian McEwan, arguing that in Saturday (2005) and Solar (2010), literary realism becomes linked with a particular conception of science.
Abstract
This essay identifies a “scientific turn” in two recent novels by Ian McEwan, arguing that in Saturday (2005) and Solar (2010), literary realism becomes linked with a particular conception of science. Science is presented in these two novels as the discourse of objectivity, enjoying largely unproblematic access to the workings of the material universe, and the reality that science describes is seen to underlie the models of realism utilized in each text. Realism, and the scientifically backed reality that supports it, is placed in opposition to a particular type of mindset, embodied by religious extremists, the broadly postmodern humanities, and climate change deniers, all of whom are seen to represent, and be in thrall to, an excessive focus on the subjective world.

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Book

Descartes' Error: Emotion, Reason, and the Human Brain

TL;DR: The authors argued that rational decisions are not the product of logic alone - they require the support of emotion and feeling, drawing on his experience with neurological patients affected with brain damage, Dr Damasio showed how absence of emotions and feelings can break down rationality.
Journal ArticleDOI

Descartes' Error: Emotion, Reason and the Human Brain

Sean A Spence
- 06 May 1995 - 
TL;DR: Brain books are similarly popular: humans are considered from a pathological/laboratory perspective and computer metaphors abound (your mind is your software!) and there are boxes and arrows in profusion.
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A Dirty Hero’s Fight for Clean Energy: Satire, Allegory, and Risk Narrative in Ian McEwan’s Solar

TL;DR: In contrast to most other fictional texts treating ecological crisis, McEwan's Solar (2010) as discussed by the authors does not develop an apocalyptic scenario culminating in a collective catastrophe, instead, while on the level of discourse mocking today's rhetoric of risk, it stages the disastrous personal risk management of its protagonist by use of satire.
Journal ArticleDOI

Ian McEwan's Neurological Novel

Jane F. Thrailkill
- 01 Mar 2011 - 
TL;DR: McEwan as discussed by the authors examines how Ian McEwan in his novel Saturday (2005) adds a specifically affective element to the human engagement with narrative through a focus on the neurobiology of consciousness.