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The Arcades Project
TLDR
Translators' Foreword Exposes Paris, the Capital of the Nineteenth Century (1935) "Paris, the City of the Twenty-First Century" (1939) Convolutes Overview First Sketches Early Drafts "Arcades" "The Arcades of Paris" 'The Ring of Saturn" Addenda Expose of 1935, Early Version Materials for the Expose and Exposition of 1935 Materials for Arcades' "Dialectics at a Standstill," by Rolf Tiedemann "The Story of Old Benjamin," by Lisa FittAbstract:
Translators' Foreword Exposes "Paris, the Capital of the Nineteenth Century" (1935) "Paris, Capital of the Nineteenth Century" (1939) Convolutes Overview First Sketches Early Drafts "Arcades" "The Arcades of Paris" "The Ring of Saturn" Addenda Expose of 1935, Early Version Materials for the Expose of 1935 Materials for "Arcades" "Dialectics at a Standstill," by Rolf Tiedemann "The Story of Old Benjamin," by Lisa Fittko Translators' Notes Guide to Names and Terms Indexread more
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Reflexivity and the Whole Foods Market consumer: the lived experience of shopping for change
Josée Johnston,Michelle Szabo +1 more
TL;DR: The authors explored the range of reflexivity observed in a mainstream "shopping for change" market sector and found that shoppers at Whole Foods Market (WFM) are primarily motivated by traditional consumer pleasures, even for politicized consumers.
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E-Topia as Cosmopolis or Citadel On the Democratizing and De-Democratizing Logics of the Internet, or, toward a Critique of the New Technological Fetishism
Martin Hand,Barry Sandywell +1 more
TL;DR: In this paper, a critical appraisal of the impact of the Internet and related information technologies on processes of democratization and de-democratization in contemporary society is presented, and an alternative approach to global civil society minimally presupposes a cultural sociology of the internet: approaching information technologies as the product of specific sociocultural practices and as historical sites of ethico-political transformation.
Book
A History of Modern Aesthetics
TL;DR: German Aesthetics in the Second Half of the Twentieth Century: 1. German aesthetics between the wars: Lukacs and Heidegger 2. In the wake of Schelling 3. The high tide of idealism 4. The second wave as discussed by the authors.
Journal ArticleDOI
The Violence of Commodity Aesthetics: Hawkers, Demolition Raids, and a New Regime of Consumption
TL;DR: In this article, the authors analyse les angoisses soulevees a Mumbai par la mondialisation du modele capitaliste, montrant comment les frontieres instituant des divisions entre economie politique and esthetique sont brouillees par l'expansion de la ville and de l'economie de consommation.