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The Language of Art: Studies in Interpretation

Moshe Barasch
TLDR
Barasch as mentioned in this paper explores a variety of mediums including sculpture, painting, mural, statuary, woodcuts, bas-relief, and even music, and discusses how, once an art work is seen and understood, a new, communicative function is added to the work.
Abstract
Moshe Barasch, an authority on art theory, tackles the complex question of how art works as language. Barasch shows how, once an art work is seen and understood, a new, communicative function is effectively added to the work. In an engaging style Barasch moves from the art and civilization of Ancient Egypt to that of modern Europe, and effortlessly shows a full and surprising range of language in art--from the magical to the impious, from the ambiguous to the didactic, from the scientific to the propagandistic. Barasch contemplates a variety of mediums including sculpture, painting, mural, statuary, woodcuts, bas-relief, even music. Over one hundred illustrations are included as an integral part of the discussion.

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Dissertation

Sanctified Presence: Sculpture and Sainthood in Early Modern Italy

Morgan Currie
TL;DR: In this article, Bernini, Puget, Papaleo, Discalced Carmelites, Barnabites, Saulli, Albertoni, Altieri, and John of the Cross are described.
Journal ArticleDOI

Cultural history as polyphonic history

TL;DR: In this paper, the authors offer a reflection on the origins and actual development of the field of cultural history through a comparison with the term that has served as title for this seminar: "polyphonic history".
Journal ArticleDOI

Landscape as experience: an integration of senses and soul

TL;DR: In this paper, the authors examined if a cohesive physical representation from a structured, visual art system is capable of developing a Christian experiential visual language that communicates a sensorial and transcendental experience of place; in this case North Queensland.