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The Undercommons: Fugitive Planning & Black Study
Stefano Harney,Fred Moten +1 more
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The article was published on 2013-05-01 and is currently open access. It has received 576 citations till now.read more
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Stuart Hall: Art and the Politics of Black Cultural Production
TL;DR: The authors argue that the power of Stuart Hall's pedagogy can be understood as having established a third space between political activism and academic research, a space that in the 1970s and early 1980s permitted the development of British cultural studies as an anti-elitist, theoretically informed approach to the field of culture, in particular popular culture.
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The poetics of justice: aphorism and chorus as modes of anti-racism
TL;DR: This paper revisited accounts of the black radical tradition as a critique and alternative to institutionalised modes of knowledge and learning, reprising Harney and Moten's concept of the undercommons to think about the constraints of the university and the possibility for thinking differently together.
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Governable Stacks against Digital Colonialism
TL;DR: The concept of "governable stacks" as discussed by the authors was introduced as a framework for self-governing as resistance to digital colonialism, and it has been used in the context of anticolonial resistance.
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Education as the practice of freedom: towards a decolonisation of desire
TL;DR: In this paper, an effort to speculate at the nexus between a collective consciousness in a capitalist society in the wake of apartheid, and the operations of a predominant pedagogy was made.
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“South Africa Is the Land of Pet Animals”; or, The Racializing Assemblages of Colonial Pet-Keeping
TL;DR: This paper analyzed two late Victorian texts by white women colonists in South Africa (F. Clinton Parry's children's book African Pets (1880) and Annie Martin's memoir Home Life on an Ostrich Farm (1890) to explore understandings of animal-human relationships within the Victorian empire and revise Achille Mbembe's taxonomy of colonial animality.
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The witch's flight
TL;DR: Kara Keeling as discussed by the authors argued that cinema and cinematic processes had a profound significance for twenty-first-century anticapitalist Black Liberation movements based in the United States and argued that the cinematic structures racism, homophobia, and misogyny, and, in the process, denied viewers access to certain images and ways of knowing.
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"No Questions Asked" A Consideration of the Crime of Criminal Receiving
Duncan Chappell,Marilyn Walsh +1 more
TL;DR: In this paper, the criminal receiver and his crime stand out as sorely neglected by sociologists, psychologists, and criminologists, and the burgeoning rate of property theft with its need for the ready market of the receiver makes it clear that the fence has not shrunk before the social scientist's neglect.
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It's different
Michael Manfredi,Anne Rieselbach +1 more
TL;DR: The Architectural League Prize as mentioned in this paper is an annual competition, series of lectures, and exhibition organized by the American Institute of Architects and its Young Architects and Designers Committee to encourage the exchange of ideas among young people who might otherwise not have a forum in the U.S.A.