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Did Laurence Fishburne do his own stunts in the Matrix? 

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His commentary is creative in its own way but at the same time unreliable in reconstructing the original Cārvāka position.
More recently, virtual performances have brought ‘back to life’ Laurence Olivier in Sky Captain and the World of Tomorrow (2004) and Marlon Brando in Superman Returns (2006).
His most extravagant flights, including the 'dying bird' passage, are negatively descriptive of Burke's own extravagance.
This approach enables us to visualize Sutherland’s role in relation to the forerunners and founding fathers of criminology during his own active period, to his followers, and to contemporary scholars.
Shapiro’s Shakespeare is thus firmly in rooted in his own time, and the process is interactive.
By doing so, it uncovers how, through a series clues, traces, and red herrings, Wilson situates his persona into his work as he develops his own distinctive architectural language.
Book ChapterDOI
01 Jan 1990
4 Citations
It is a view which Laurence herself did much to support.
I did willingly.…And as his love for Shakespeare's plays grew with the years he did not want anything else in the world but to be a Shakespearean actor.
By making his own perspectives clearly known, Moore exposes the positionality inherent in all media representations of place.
Laurence Olivier’s films, Henry V (1944), Hamlet (1948), and especially his Richard III (1955) demonstrate the ability of a British stage profession to act as a mediator for the American public, as do Kenneth Branagh’s Henry V (1989), Much Ado About Nothing (1994) and Hamlet (1996).
This celebrity has less to do with Richard’s historical reputation, and more with the way in which great actors of the 19 and 20 centuries gave the role status and popular visibility, particularly perhaps via Laurence Olivier’s 1955 film version.
Open accessJournal ArticleDOI
Yoopyo Hong, Roger A. Horn 
74 Citations
We derive a useful criterion for two matrices to be consimilar and show that every matrix is consimilar to its own conjugate, transpose, and adjoint, to a real matrix, and to a Hermitian matrix.
The affinities of Aristophanes' story do not lie with his own comedies or with those of his contemporaries, but elsewhere.