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André Fiebig

Researcher at Technical University of Berlin

Publications -  47
Citations -  638

André Fiebig is an academic researcher from Technical University of Berlin. The author has contributed to research in topics: Soundscape & Noise. The author has an hindex of 10, co-authored 38 publications receiving 512 citations.

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Ten questions on the soundscapes of the built environment

TL;DR: Soundscape research represents a paradigm shift from noise control policies towards a new multidisciplinary approach as it involves not only physical measurements but also the cooperation of humanity and social sciences to account for the diversity of soundscapes across countries and cultures, with more focus on how people actually experience the acoustic environments; and it considers environmental sounds as a "resource" rather than a "waste" as mentioned in this paper.
Journal Article

Soundscape analysis in a residential area : An evaluation of noise and people's mind

TL;DR: The soundscape approach with its multidisciplinary groundings and perspectives can help to overcome sectoral barriers and shows that perception-related decisions can be derived to handle environmental noise problems adequately.
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Psychoacoustics and its Benefit for the Soundscape Approach

TL;DR: In this article, the authors proposed to use further hearing-related parameters to improve the description and evaluation of environmental noise, such as frequency spectrum, duration, impulsive, tonal and low frequency components, etc.
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A Review of Socio-acoustic Surveys for Soundscape Studies

TL;DR: In this paper, the authors present the current status of socio-acoustic surveys in soundscape studies through the indication of appropriate question formats, types, and topics for each data collection method (soundwalks, interviews, listening tests, and focus group) for the involved public and acoustic stimuli.
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Assessments of Acoustic Environments by Emotions - The Application of Emotion Theory in Soundscape.

TL;DR: An overview of the theoretical background is presented that applies emotion theory to soundscape and a proposed modification to an existing, standardized framework to include the meaning of emotion in the design of soundscapes is proposed.