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Boris Kleber

Researcher at Royal Academy of Music

Publications -  27
Citations -  739

Boris Kleber is an academic researcher from Royal Academy of Music. The author has contributed to research in topics: Singing & Insula. The author has an hindex of 13, co-authored 24 publications receiving 611 citations. Previous affiliations of Boris Kleber include Montreal Neurological Institute and Hospital & University of Tübingen.

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Overt and imagined singing of an Italian aria.

TL;DR: It is concluded that imagined and overt singing involves partly different brain systems in professional singers with more prefrontal and limbic activation and a larger network of higher order associative functions during imagery.
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The Brain of Opera Singers: Experience-Dependent Changes in Functional Activation

TL;DR: First evidence that the training of vocal skills is accompanied by increased functional activation of bilateral primary somatosensory cortex representing articulators and larynx is provided, providing the first evidence that vocal skills training correlates with increased activity of a cortical network for enhanced kinesthetic motor control and sensorimotor guidance.
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Experience-dependent modulation of feedback integration during singing: role of the right anterior insula.

TL;DR: It is concluded that the right anterior insular cortex and sensory-motor areas play a role in experience-dependent modulation of feedback integration for vocal motor control during singing.
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Voxel-based morphometry in opera singers: Increased gray-matter volume in right somatosensory and auditory cortices

TL;DR: Structural data confirm and extend previous functional reports suggesting a pivotal role of somatosensation in vocal motor control with increased experience in singing and indicate a sensitive period for developing additional vocal skills after speech motor coordination has matured.
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Experience-dependent modulation of right anterior insula and sensorimotor regions as a function of noise-masked auditory feedback in singers and nonsingers

TL;DR: It is found that pitch‐matching accuracy was unaffected by masking in trained singers yet declined in nonsingers, which indicates that singers relied more on somatosensory feedback, whereas nonsingers depended more critically on auditory feedback.