David Z. Saltz

TL;DR: In this paper, the authors discuss the question of the performance of l'art computationnel interactif and montre que celui-ci s'apparente aux arts performatifs traditionnels en ce concerne le statut ontologique and semiotique de l'oeuvre d'art.

TL;DR: Staging Philosophy as discussed by the authors investigates the fundamental issues in theater and performance from a wide range philosophical perspectives, and provides case studies of various philosophical movements and schools of thought, from analytic philosophy to phenomenology, from deconstruction to critical realism.

TL;DR: In this article, the authors propose boundary conditions for Rayleigh-Taylor mixing based on the inertial, drag, and buoyant forces on the furthest penetrating structures which define these edges.

TL;DR: In the past century, film, radio and video technologies gave rise to new forms of dramatic expression and a global entertainment industry as discussed by the authors, and the way that current digital artists valorize the concept of "interaction" relates closely to the way theatre and performance artists have long valorized the concept "liveness".

TL;DR: In this paper, a new constitutive theory for two-phase flow models of chaotic mixing layers, which form as two incompressible fluids interpenetrate, is described. But the model is not suitable for large-scale simulations, and it cannot predict other important physical quantities, such as the fluid pressures and internal energies in compressible mixing.