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Paula M. Niedenthal
Researcher at University of Wisconsin-Madison
Publications - 168
Citations - 12504
Paula M. Niedenthal is an academic researcher from University of Wisconsin-Madison. The author has contributed to research in topics: Facial expression & Emotional expression. The author has an hindex of 54, co-authored 162 publications receiving 11480 citations. Previous affiliations of Paula M. Niedenthal include University of Clermont-Ferrand & Blaise Pascal University.
Papers
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Journal ArticleDOI
Embodiment in Attitudes, Social Perception, and Emotion
TL;DR: This work proposes that theories of embodied cognition, such as the Perceptual Symbol Systems (PSS) account (Barsalou, 1999), explain and integrate findings, and shows how the PSS account addresses criticisms that have previously posed problems for the general embodiment approach.
Book
The heart's eye: Emotional influences in perception and attention.
TL;DR: In this article, S. Kitayama and S. Howard preferences need no inferences? - the cognitive basis of unconscious mere exposure effects, M.M. Niedenthal and R.H. Hansen attention and facial efference, C.H Hansen emotion and the eyewitness, H.Egeth the view from the heart's eye - a commentary, J.K. Derryberry and D.D. Bruner.
Journal ArticleDOI
The Simulation of Smiles (SIMS) model: Embodied simulation and the meaning of facial expression
TL;DR: Behavioral research from social psychology with recent research in neurosciences is integrated to provide coherence to the extant and future research on embodied cognition to advance the application of theories of embodied cognition in the study of facial expression of emotion.
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"If only I weren't" versus "if only I hadn't": distinguishing shame and guilt in counterfactual thinking.
TL;DR: The role of counterfactual thinking in specific emotions and in differentiating shame- and guilt-prone personalities is discussed.
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When did her smile drop? Facial mimicry and the influences of emotional state on the detection of change in emotional expression
TL;DR: In this paper, the effect of emotional state was observed such that individuals in happy states saw the offset of happiness (changing into sadness) at an earlier point in the movies than did those in sad states.