S
Scott L. Fairhall
Researcher at University of Trento
Publications - 40
Citations - 1832
Scott L. Fairhall is an academic researcher from University of Trento. The author has contributed to research in topics: Semantic memory & Face perception. The author has an hindex of 17, co-authored 36 publications receiving 1589 citations. Previous affiliations of Scott L. Fairhall include University of Zurich & Harvard University.
Papers
More filters
Journal ArticleDOI
Effective Connectivity within the Distributed Cortical Network for Face Perception
Scott L. Fairhall,Alumit Ishai +1 more
TL;DR: This work found that the core system is hierarchically organized in a predominantly feed-forward fashion, and that the fusiform gyrus (FG) exerts the dominant influence on the extended system, whereas famous faces increased the coupling between the FG and the orbitofrontal cortex.
Journal ArticleDOI
Brain Regions That Represent Amodal Conceptual Knowledge
TL;DR: It is proposed that a brain region can be considered to represent amodal conceptual object knowledge if it is supramodal and plays a role in distinguishing among the conceptual representations of different objects.
Journal ArticleDOI
Decoding Representations of Face Identity That are Tolerant to Rotation
TL;DR: Multivoxel pattern analysis in the human ventral stream is used to investigate the representation of face identity across rotations in depth, a kind of transformation in which no point in the face image remains unchanged.
Journal ArticleDOI
Spatial attention can modulate audiovisual integration at multiple cortical and subcortical sites.
TL;DR: Findings demonstrate that audiovisual integration and spatial attention jointly interact to influence activity in an extensive network of brain areas, including associative regions, early sensory‐specific visual cortex and subcortical structures that together contribute to the perception of a fused audiovISual percept.
Journal ArticleDOI
Perception, memory and aesthetics of indeterminate art.
TL;DR: The results suggest that perception and memory of art depend on semantic aspects, whereas, aesthetic affect depends on formal visual features.