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Sue Anne Zollinger

Researcher at Max Planck Society

Publications -  29
Citations -  1932

Sue Anne Zollinger is an academic researcher from Max Planck Society. The author has contributed to research in topics: Lombard effect & Traffic noise. The author has an hindex of 19, co-authored 29 publications receiving 1614 citations. Previous affiliations of Sue Anne Zollinger include Indiana University & University of St Andrews.

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The evolution of the Lombard effect: 100 years of psychoacoustic research

TL;DR: By comparing the findings from anurans, birds and mammals, it tries to trace back the phylogenetic origins of this basic vocal mechanism for acoustic communication in noise and suggests two alternative parsimonious hypotheses.
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On the relationship between, and measurement of, amplitude and frequency in birdsong

TL;DR: A growing number of studies ask whether and how bird songs vary between areas with low versus high levels of anthropogenic noise as discussed by the authors and find that birds are seen to sing at higher frequencies in urban versus rural populations, presumably because of selection for higher-pitched songs in the face of low-frequency urban noise.
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Bird song and anthropogenic noise: vocal constraints may explain why birds sing higher-frequency songs in cities

TL;DR: The first phonetogram for a songbird is presented, which shows that frequency and amplitude are strongly positively correlated in the common blackbird (Turdus merula), a successful urban colonizer, and city blackbirds preferentially sang higher-frequency elements that can be produced at higher intensities and happen to be less masked in low-frequency traffic noise.
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Producing Song: The Vocal Apparatus

TL;DR: Comparative studies indicate songbirds have evolved species‐specific motor patterns that utilize the two sides of the syrinx in specific ways and enhance the particular acoustic effects characterizing the species song.
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The Lombard effect.

TL;DR: This year marks the 100 year anniversary of the discovery of the Lombard effect, an involuntary vocal response by speakers to the presence of background noise, and this phenomenon has surely achieved importance far beyond what its discoverer could have ever imagined.