Preface Introduction: Traditions of Nationhood in France and Germany I. The Institution of Citizenship 1. Citizenship as Social Closure 2. The French Revolution and the Invention of National Citizenship 3. State, State-System, and Citizenship in Germany II. Defining The Citizenry: The Bounds of Belonging 4. Citizenship and Naturalization in France and Germany 5. Migrants into Citizens: The Crystallization of Jus Soli in Late-Nineteenth-Century France 6. The Citizenry as Community of Descent: The Nationalization of Citizenship in Wilhelmine Germany 7. \"Etre Francais, Cela se Merite\": Immigration and the Politics of Citizenship in France in the 1980s 8. Continuities in the German Politics of Citizenship Conclusion Notes Bibliography Index

Citizenship and Nationhood in France and Germany.

By Pierre Bourdieu (London: Routledge, 2010), xxx + 607 pp. £15.99 paper. A combination of social theory, statistical data, illustrations, and interviews, Distinction: A Social Critique of the Judg...

Distinction: A Social Critique of the Judgement of Taste

A catalogue record for this book is available from the British Library ISBN 0 521 82347 1 hardback ISBN 0 521 53032 6 paperback Contents List of tables page vii Preface to the second edition ix Preface to the first edition xii 1 Why a global language? 1 What is a global language? 3 What makes a global language? 7 Why do we need a global language? 11 What are the dangers of a global language? 14 Could anything stop a global language? 25 A critical era 27 2 Why English? The historical context 29 Origins 30 America 31 Canada 36 The Caribbean 39 Australia and New Zealand 40 South Africa 43 South Asia 46 Former colonial Africa 49 Southeast Asia and the South Pacific 54 A world view 59 v Contents

English as a global language

This review discusses North American and European research from the sociology of valuation and evaluation (SVE), a research topic that has attracted considerable attention in recent years. The goal is to bring various bodies of work into conversation with one another in order to stimulate more cumulative theory building. This is accomplished by focusing on (a) subprocesses such as categorization and legitimation, (b) the conditions that sustain heterarchies, and (c) valuation and evaluative practices. The article reviews these literatures and provides directions for a future research agenda.

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Toward a Comparative Sociology of Valuation and Evaluation

The Long Tail: How Technology is turning mass markets into millions of niches. (p. 15). This passage from The Long Tail, pretty much sums it all up. The Long Tail by Chris Anderson is a good and worthwhile read for information scientists, computer scientists, ecommerce researchers, and others interested in all areas of Web research. The central premise of the book is that the combination of (1) the Pareto or Zipf distribution (i.e., power law probability distribution) that is characteristic of Web traffic and (2) the direct access to consumers via Web technology has opened up new business opportunities in the ''long tail''. Producers and advertisers no longer have to target ''the big hits'' at the head of the distribution. Instead, they can target the small, niche communities or even individuals in the tail of the distribution. The long tail is has been studied by Web researchers and has been noted in term usage on search engines, access times to servers, and popularity of Web sites. Andersen points out that the long tail also applies to products sold on the Web. He recounts that a sizeable percentage of Amazon sales come from books that only sell a few copies, a large number of songs from Rhapsody get downloaded only once in a month, and a significant number of movies from Netflix only get ordered occasionally. However, since the storage is in digital form for the songs and music (and Amazon out sources the storage of books) there is little additional inventory cost of these items. This phenomenon across all Web companies has led to a broadening of participation by both producers and consumers that would not have happened without the Web. The idea of the long tail is well known, of course. What Anderson has done is present it in an interesting manner and in a Web ecommerce setting. He applies it to Web businesses and then relates the multitude of other factors ongoing that permit the actual implementation of the long tail effect. Anderson also expands on prior work on the long tail by introducing an element of time, given the distribution a three dimensional effect. All in all, it is a nifty idea. The book is comprised of 14 chapters, plus an Introduction. Chapter 1 presents an overview of what the long tail is. Chapter 2 discusses the ''head'', which is the top of the tail where the …

The Long Tail: Why the Future of Business is Selling Less of More

This article charts key developments and cross-national variations in the coverage of foreign culture (i.e., classical and popular music, dance, film, literature, theater, television, and visual arts) in Dutch, French, German, and U.S. elite newspapers between 1955 and 2005. Such coverage signals the awareness of foreign culture among national elites and the degree and direction of "globalization from within." Using content analysis, we examine the degree, direction, and diversity of the international orientation of arts journalism for each country and cultural genre. Results denote how international arts and culture coverage has increased in Europe but not in the United States. Moreover, the centrality of a country in the cultural "world-system" offers a better explanation for cross-national differences in international orientation than do other country-level characteristics, such as size and cultural policy framework. Recorded and performance-based genres differ markedly in their levels of internationalization, but the effect of other genre-level characteristics, such as language dependency and capital intensiveness, is not clear. In each country, international coverage remains concentrated on a few countries, of which the United States has become the most prominent. Although the global diversity of coverage has increased, non-Western countries are still underrepresented.

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Cultural globalization and arts journalism: the international orientation of arts and culture coverage in Dutch, French, German, and U.S. newspapers, 1955 to 2005

https://repub.eur.nl/pub/132828/Janssen_1997_Accepted-ms_Reviewing-as-Social-Practice.pdf

Reviewing as social practice: Institutional constraints on critics' attention for contemporary fiction

In this article, we describe general features of popular music coverage in elite newspapers in the United States, France, Germany, and the Netherlands from 1955 to 2005. Drawing on data from content analysis of over 4,000 newspaper articles sampled in four reference years (1955, 1975, 1995, and 2005), we document broad changes and continuities in the extent, focus, and form of popular music coverage in mainstream media outlets of each country.

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Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands

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The shaping influence of cultural mediators, in particular their legitimizing power, has led cultural scholars to coin them ‘tastemakers,’ ‘gatekeepers,’ ‘surrogate consumers,’ ‘reputational entrepreneurs,’ or even ‘coproducers’ of the work of art. Yet, in practice, mediators perform highly different and often distinct activities according to their particular contributions in the (increasingly) vertically differentiated process of cultural production. This article discusses the various roles and activities of cultural mediators, followed by a review of the role and impact of critics and other mediators in the production and consumption of culture.

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Cultural Mediators and Gatekeepers

https://repub.eur.nl/pub/55254/Janssen_1999_accepted-ms_Arts-journalism-and-cultural-change.pdf

Susanne Janssen

Papers

Cultural globalization and arts journalism: the international orientation of arts and culture coverage in Dutch, French, German, and U.S. newspapers, 1955 to 2005

Reviewing as social practice: Institutional constraints on critics' attention for contemporary fiction

Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands

Cultural Mediators and Gatekeepers

Art journalism and cultural change: The coverage of the arts in Dutch newspapers 1965-1990