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Institution

National Gallery, London

ArchiveLondon, United Kingdom
About: National Gallery, London is a archive organization based out in London, United Kingdom. It is known for research contribution in the topics: Painting & Optical coherence tomography. The organization has 44 authors who have published 57 publications receiving 1189 citations.


Papers
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Journal ArticleDOI
TL;DR: The highest ever resolution and dynamic range images of underdrawing are presented and for the first time it is possible to find out non-invasively on which layer the underdrawings were drawn.
Abstract: Optical Coherence Tomography (OCT) is an optical interferometric technique developed mainly for in vivo imaging of the eye and biological tissues. In this paper, we demonstrate the potential of OCT for non-invasive examination of museum paintings. Two en-face scanning OCT systems operating at 850 nm and 1300 nm were used to produce B-scan and C-scan images at typical working distances of 2 cm. The 3D images produced by the OCT systems show not only the structure of the varnish layer but also the paint layers and underdrawings (preparatory drawings under the paint layers). The highest ever resolution and dynamic range images of underdrawings are presented and for the first time it is possible to find out non-invasively on which layer the underdrawings were drawn.

170 citations

Journal ArticleDOI
07 Aug 2002
TL;DR: A decade of work on digital imaging for museums, set in the context of the state of the art for museum imaging, is described, including a remote image viewer designed to provide internet access to high-resolution images.
Abstract: This paper describes a decade of work on digital imaging for museums. From 1989 to 1992, the visual arts system for archiving and retrieval of images (VASARI) project produced a digital-imaging system that made color-calibrated images of up to 20000/spl times/20000 pixels directly from paintings. It used seven color-separation bands in the visible region, resulting in an average color error of around 1 /spl Delta/E*/sub ab/ unit. These images have since been used to monitor the condition of paintings, document paintings during conservation treatment, including predicting appearance after cleaning, reconstruct the original appearance of paintings in which pigments have faded, and assess whether paintings have been damaged during transportation, in estimations of the surface reflectance spectra and in the printing of high-quality reproductions. We have applied similar techniques to museum infrared and X-ray imaging. To manage the images produced by the VASARI system, an image-processing package has been developed that is tailored for very large colorimetric images. This package has since been used in several other projects, including a remote image viewer designed to provide internet access to high-resolution images. The paper explores these developments and gives details of the current generation of VASARI-derived systems, set in the context of the state of the art for museum imaging.

151 citations

Journal ArticleDOI
TL;DR: In this article, the authors analyzed the ether-soluble fraction of Baltic amber (Succinite) and found a pattern of monoterpenoids similar to that encountered in fossil kauri resin, sesquiterpenoids and many other compounds including terpenol succinate and hemisuccinate esters.

138 citations

Journal ArticleDOI
TL;DR: In this paper, the authors present a gas chromatographic examination of paint media and identify the Fatty Acid composition and identification of Dried Oil Films, which is the basis for this paper.
Abstract: (1966). The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films. Studies in Conservation: Vol. 11, No. 2, pp. 92-107.

130 citations

Journal ArticleDOI
TL;DR: The study demonstrated the advantages of ATR-FTIR imaging, which allowed images to be obtained with high spatial resolution without the need to microtome the sample, and the gain in sensitivity in detecting trace materials and the information derived from the location of these compounds in the sample was especially valuable.
Abstract: The potential of attenuated total reflection Fourier transform infrared (ATR-FTIR) imaging for the characterisation of the chemical components of paint cross sections from old master paintings was investigated Three cross sections were chosen to cover a variety of the analytical problems encountered in samples from paintings The binding medium and degradation products in a green paint sample from a fifteenth-century Florentine painting were imaged, as well as a thin layer within a cross-section from a fifteenth-century German painting, and multiple thin surface coatings on a painting of the 1760s by Peter Romney The application of chemometric methods for further analysis of the large data set generated for each sample was also explored The study demonstrated the advantages of ATR-FTIR imaging, which allowed images to be obtained with high spatial resolution (ca 3-4 microm) without the need to microtome the sample The gain in sensitivity in detecting trace materials and the information derived from the location of these compounds in the sample was especially valuable, improving interpretation of the FTIR analysis and extending knowledge of the sample composition beyond that obtainable with other analytical techniques

127 citations


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Performance
Metrics
No. of papers from the Institution in previous years
YearPapers
20231
20224
20212
20202
20194
20187