Open AccessJournal Article
A Century of Focus: South Australian Photography 1840s - 1940s
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A century of focus: South Australian photography 1840s - 1940s is discussed in this paper, where photographic depiction of the unique qualities of particular landscapes, especially in regard to their role in recording time, is considered.Abstract:
The review and analysis of a recent exhibition 'A century of focus: South Australian photography 1840s - 1940s' is discussed. The exhibition will serve as a lens, narrowing the aperture, to consider the photographic depiction of the unique qualities of particular landscapes, especially in regard to their role in recording time.read more
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Dissertation
Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886.
Abstract: ......................................................................................................................................... v ACKNOWLEDGEMENTS .................................................................................................................... vii LIST OF PLATES ................................................................................................................................ ix ABBREVIATIONS ............................................................................................................................. xxiii CHAPTER ONE INTRODUCTION Introduction ......................................................................................................... 1 Literature ............................................................................................................. 4 Methodology ..................................................................................................... 22 Introduction to Thesis ....................................................................................... 31 CHAPTER TWO CAPTAIN SWEET’S EARLY LIFE AND CAREER .......................................... 35 CHAPTER THREE CAPTAIN SWEET’S PHOTOGRAPHY BUSINESS ........................................ 65 CHAPTER FOUR CAPTAIN SWEET AND THE SOUTH AUSTRALIAN VIEWS TRADE ........... 119 CHAPTER FIVE THE PHOTOGRAPHS: MAPPING MODERNITY .......................................... 141 The Northern Territory: Imagining Modernity ................................................. 142 Agriculture & Pastoralism, Industry & Infrastructure: Modernity in Action ...... 186 Social Infrastructure: Modernity Realised ...................................................... 200 What Sweet Did Not Photograph: A Selective Reality ................................... 210 City Views & Civic Buildings: Celebrating Modernity and Metropolis ............. 229 CHAPTER SIX THE USE AND SIGNIFICANCE OF SWEET’S PHOTOGRAPHS ................. 243 CHAPTER SEVEN CONCLUSION ............................................................................................. 257 BIBLIOGRAPHY ............................................................................................................................... 263
Journal ArticleDOI
A ‘powerful, creative history’: the reticence of women architects to donate their professional records to archival repositories
TL;DR: In this article, a survey of literature and the author's own direct observation as manager of an archival collection specialising in architecture was conducted to find the professional records of women architects and why they did not donate their records to archival repositories.
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Dissertation
Captain Sweet’s colonial imagination: the ideals of modernity in South Australian views photography 1866 - 1886.
Abstract: ......................................................................................................................................... v ACKNOWLEDGEMENTS .................................................................................................................... vii LIST OF PLATES ................................................................................................................................ ix ABBREVIATIONS ............................................................................................................................. xxiii CHAPTER ONE INTRODUCTION Introduction ......................................................................................................... 1 Literature ............................................................................................................. 4 Methodology ..................................................................................................... 22 Introduction to Thesis ....................................................................................... 31 CHAPTER TWO CAPTAIN SWEET’S EARLY LIFE AND CAREER .......................................... 35 CHAPTER THREE CAPTAIN SWEET’S PHOTOGRAPHY BUSINESS ........................................ 65 CHAPTER FOUR CAPTAIN SWEET AND THE SOUTH AUSTRALIAN VIEWS TRADE ........... 119 CHAPTER FIVE THE PHOTOGRAPHS: MAPPING MODERNITY .......................................... 141 The Northern Territory: Imagining Modernity ................................................. 142 Agriculture & Pastoralism, Industry & Infrastructure: Modernity in Action ...... 186 Social Infrastructure: Modernity Realised ...................................................... 200 What Sweet Did Not Photograph: A Selective Reality ................................... 210 City Views & Civic Buildings: Celebrating Modernity and Metropolis ............. 229 CHAPTER SIX THE USE AND SIGNIFICANCE OF SWEET’S PHOTOGRAPHS ................. 243 CHAPTER SEVEN CONCLUSION ............................................................................................. 257 BIBLIOGRAPHY ............................................................................................................................... 263
Journal ArticleDOI
A ‘powerful, creative history’: the reticence of women architects to donate their professional records to archival repositories
TL;DR: In this article, a survey of literature and the author's own direct observation as manager of an archival collection specialising in architecture was conducted to find the professional records of women architects and why they did not donate their records to archival repositories.