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Agency, Identity, and Culture : Hannah Arendt's Conceptions of Citizenship
Maurizio Passerin d'Entreves
- Vol. 9, pp 1-24
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The conception de la citoyennete chez H. Arendt as discussed by the authors for sa relation a : la sphere publique, l'action politique et l'identite collective, la culture politiqueAbstract:
La conception de la citoyennete chez H. Arendt pour sa relation a : la sphere publique, l'action politique et l'identite collective, la culture politiqueread more
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Civic Engagement and the Arts: Issues of Conceptualization and Measurement
Mark J Stern,Susan C Seifert +1 more
TL;DR: In this article, a review of literature drawn from the social sciences, the humanities, and public policy in an attempt to bridge theory with practice and research with evaluation is presented, focusing on one aspect of the social impact of the arts -their influence on civic engagement.
Dissertation
Amor mundi: Hannah Arendt's political phenomenology of world
TL;DR: The authors defend an interpretation of Arendt's work that integrates various dimensions, such as political theory, philosophy, historiography, literary theory and her journalistic work, by elaborating and explicating her joining of hermeneutic-phenomenological sources and methods, and shared historical-political experiences, particularly the totalitarian experience, on the other hand.
Bidding for the Future: Toronto's 2008 Olympic Bid and the Regulation of Waterfront Land
TL;DR: In this paper, the authors present a Table of Table of contents for the paper "Acknowledgements and acknowledgements of the authors of this paper: https://www.goprocessor.org/
Journal ArticleDOI
Concepts of Solidarity in the Political Theory of Hannah Arendt
TL;DR: The authors distinguish and explicate four concepts of solidarity which are found in the writings of Hannah Arendt and show how their respect for facts and suspicion of sentiment publicly displayed are justified.
Journal ArticleDOI
"the slow boring of hard boards": methodical thinking and the work of politics
TL;DR: Weil's theory of action embraces something that Arendt's theatrical politics rejects as discussed by the authors, a concept of liberatory instrumentality, or purposeful performance, which is similar to ours.