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Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design

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TLDR
Mallgrave as discussed by the authors argues that we should turn our focus away from the objectification of architecture (treating design as the creation of objects) and redirect it back to those for whom we design: the people inhabiting our built environments.
Abstract
In recent years we have seen a number of dramatic discoveries within the biological and related sciences. Traditional arguments such as "nature versus nurture" are rapidly disappearing because of the realization that just as we are affecting our environments, so too do these altered environments restructure our cognitive abilities and outlooks. If the biological and technological breakthroughs are promising benefits such as extended life expectancies, these same discoveries also have the potential to improve in significant ways the quality of our built environments. This poses a compelling challenge to conventional architectural theory... This is the first book to consider these new scientific and humanistic models in architectural terms. Constructed as a series of five essays around the themes of beauty, culture, emotion, the experience of architecture, and artistic play, this book draws upon a broad range of discussions taking place in philosophy, psychology, biology, neuroscience, and anthropology, and in doing so questions what implications these discussions hold for architectural design. Drawing upon a wealth of research, Mallgrave argues that we should turn our focus away from the objectification of architecture (treating design as the creation of objects) and redirect it back to those for whom we design: the people inhabiting our built environments.

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Dissertation

Touching Architecture: a felt‐phenomenology of affective atmospheres & embodied encounters

Anthony Brand
Abstract: ....................................................................................................................... ii Table of
Journal ArticleDOI

The enactive approach to architectural experience: A neurophysiological perspective on embodiment, motivation, and affordances

TL;DR: The outlined model of architectural subject in enactive terms—that is, a model of a human being as embodied, enactive, and situated agent, is proposed as a basis of neuroscientific and phenomenological interpretation of architectural experience.
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The Visual Social Distancing Problem

TL;DR: In this article, the authors introduce the Visual Social Distancing (VSD) problem, defined as the automatic estimation of the inter-personal distance from an image, and the characterization of related people aggregations.
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Exploring the influence of the built environment on human experience through a neuroscience approach: A systematic review

TL;DR: The present review aims to examine the existing literature systematically to explain the influence of the built environment on human experience by using approaches from neuroscience by examining the conceptualizations in the field.
Journal ArticleDOI

Creative Practices Embodied, Embedded, and Enacted in Architectural Settings: Toward an Ecological Model of Creativity.

TL;DR: This paper investigates what role architectural settings may play in creative processes by examining documented first person and biographical accounts of creativity with respect to three central theories of situated cognition, illustrated in a new theoretical framework describing relationships between people and their architectural settings with Respect to different cognitive processes of creativity.
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