BookDOI
Between romanticism and modernism : four studies in the music of the later nineteenth century
Reads0
Chats0
TLDR
In this article, Dahlhaus treated Nietzsche's youthful analysis of the contradictions in Wagner's doctrine, the question of periodicization in romantic and neo-romantic music, the underlying kinship between Brahms' and Wagner's responses to the central musical problems of their time, and the true significance of musical nationalism.Abstract:
Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms' and Wagner's responses to the central musical problems of their time; and, the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words", by the young Nietzsche.read more
Citations
More filters
Journal Article
The place of music
TL;DR: The early days of the gramophone industry in India and its early days in India are discussed in this paper, where a history and geography of Northern Soul is discussed. But the focus is on the music industry and its role in the commodification of the sublime.
Book ChapterDOI
The gender of modernity
TL;DR: For instance, the authors focus on the dramatic transformations of worldviews and philosophies encompassed by the still broader term "modernity" (see, e.g., Section 5.2.1).
Journal ArticleDOI
Defining the Term 'Absolute Music' Historically
TL;DR: In his influential book The Idea of Absolute Music, Carl Dahlhaus claimed there was a comprehensive concept of absolute music which revealed the latent unity of musical aesthetics in the nineteenth century as mentioned in this paper.
Book
Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
TL;DR: Hulse and Nesbitt as mentioned in this paper discuss the sound of repeating life in music and the difference between becoming and becoming in the music and poetics of Luciano Berio, Bruce Quaglia Line, surface, speed: nomadic features of melody, Ildar Khannanov Bibliography Index.
Journal ArticleDOI
Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna
TL;DR: Brahms's anger in the 1880s at the "anti-German" policies of the Czech-Clerical-Polish coalition then in power in the central government as mentioned in this paper.