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Camera Lucida: Reflections on Photography

TLDR
Barthes shares his passionate, in-depth knowledge and understanding of photography in Reflections on Photography as mentioned in this paper, examining the themes of presence and absence, the relationship between photography and theatre, history and death.
Abstract
Barthes shares his passionate, in-depth knowledge and understanding of photography. Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind.

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Photographing the Painted Landscape: Photo-ekphrasis in The Rise of Silas Lapham

TL;DR: A photograph appears in the opening scene of William Dean Howells's The Rise of Silas Lapham (1885), when during his interview with Bartley Hubbard, who is writing a feature profile of the wealthy paint manufacturer, Lapham shows the journalist a “large warped, unframed” portrait of his family: “There we are, all of us”.
Journal Article

Atrocity and the Power of the Image

Wayne Morrison
- 22 Sep 2009 - 
TL;DR: The Incommensurable Banner (the central exhibit in the 2008 Brighton Photo Biennial exhibition), a melange of images of atrocity gleaned from the web that do not appear in newspapers or magazines as mentioned in this paper.