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Camera Lucida: Reflections on Photography

TLDR
Barthes shares his passionate, in-depth knowledge and understanding of photography in Reflections on Photography as mentioned in this paper, examining the themes of presence and absence, the relationship between photography and theatre, history and death.
Abstract
Barthes shares his passionate, in-depth knowledge and understanding of photography. Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind.

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Dissertation

Interfaces of resistance in the image-machine of control

Alan Greig
TL;DR: In this paper, the authors explore the effects of ubiquitous computation on the visual operations of the contemporary control society and what this means for the use of visual media in contesting such control.
Journal ArticleDOI

Reading the Victorian Souvenir: Sonnets and Photographs of the Crimean War

TL;DR: The prevalence and popularity of the sonnet throughout the Victorian period, when many poets were exploring unrhymed and less structured forms, invites exploration as to why and how Victorian poets and readers would turn to an old form to represent and understand their self-consciously modern experience.
Dissertation

The I in Design

TL;DR: In this article, the role of artefacts in user-centred participatory design research is explored, specifically for expressing and communicating personal experiences and creating meaning, and the focus is on the exchange of knowledge and experiences between two individuals: the researcher and the informant.
Dissertation

Social media and social change in a Bahian working class settlement

Juliano Spyer
TL;DR: In this article, the authors examine locally traditional forms of communication that the anthropological literature calls "indirection", a form of opaque speech that creates private spaces of interaction in situations of dense sociality.
Journal ArticleDOI

Icons and Identity: Religious Orthodoxy and Social Practice in Rural Crete

TL;DR: In this paper, the authors explore the rural Cretan practice of depositing numerous icons in churches in relation to the aesthetic conventions of the icons themselves and argue that the apparent tension between singular themes and multiple copies reproduces strains between norms of social unity and the fact of social division.