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Collaborative Production in the Creative Industries

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TLDR
In this paper, a collection of case studies that range from TV showrunning to independent publishing, from the film industry to social media platforms such as Tumblr and Wattpad, develops a critical understanding of the integral role collaboration plays in contemporary media and culture, drawing attention to diverse kinds of creative collaboration afforded via the intermediation of digital platforms and networked public.
Abstract
In recent years research into creative labour and cultural work has usually addressed the politics of production in these fields, but the sociotechnical and aesthetic dimensions of collaborative creative work have been somewhat overlooked. This book aims to address this gap. Through case studies that range from TV showrunning to independent publishing, from the film industry to social media platforms such as Tumblr and Wattpad, this collection develops a critical understanding of the integral role collaboration plays in contemporary media and culture. It draws attention to diverse kinds of creative collaboration afforded via the intermediation of digital platforms and networked publics. It considers how these are incorporated into emergent market paradigms and investigates the complicated forms of subjectivity that develop as a consequence. But it also acknowledges historical continuities, not least in terms of the continued exploitation of ‘support personnel’ and of resulting artistic conflicts but also of alternative models that resist the precarious nature of contemporary cultural work. Finally, this volume attempts to situate creative collaboration in broader social and economic contexts, where the experience and outcomes of such work have proved more problematic than the rich potential of their promise would lead us to expect. The Editors: James Graham is Senior Lecturer in the Faculty of Arts and Creative Industries, Middlesex University, London. Alessandro Gandini is Lecturer in Digital Media Management and Innovation in the Department of Digital Humanities, Kings College, London.

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References
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Situated Learning: Legitimate Peripheral Participation

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TL;DR: For instance, in the case of an individual in the presence of others, it can be seen as a form of involuntary expressive behavior as discussed by the authors, where the individual will have to act so that he intentionally or unintentionally expresses himself, and the others will in turn have to be impressed in some way by him.
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Communities of Practice: Learning, Meaning, and Identity

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TL;DR: In this paper, the impact of the concept of culture on the concepts of man and the evolution of mind in Bali has been discussed in the context of an interpretive theory of culture.
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The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community, and Everyday Life

TL;DR: The Rise of the Creative Class as mentioned in this paper describes a society in which the creative ethos is increasingly dominant, with the result that our values and tastes, our personal relationships, our choices of where to live, and even our sense and use of time are changing.
Trending Questions (2)
How can collaboration help creative outcomes in film production?

Collaboration in film production enhances creative outcomes by integrating diverse perspectives, fostering innovation, and leveraging digital platforms for networked creative work, as discussed in the research.

How does creativity and collaboration help creative outcomes in film?

Collaborative creative work in film, explored in the paper, enhances outcomes by integrating diverse perspectives and skills, facilitated by digital platforms, leading to complex subjectivities and market influences.