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Image and Representation: Key Concepts in Media Studies

Nick Lacey
TLDR
This paper presents a meta-anatomy of representation and its role in the construction of reality as well as some examples of different types of representations used in art and science.
Abstract
Acknowledgements - Introduction - Introduction to Image Analysis - Jakobson Revisited and Semiotics - Advanced Image Analysis - Representation - Representation and Reality - Technology - Appendix

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Journal ArticleDOI

Visual Culture isn't Just Visual: Multiliteracy, Multimodality and Meaning

TL;DR: In this article, the authors argue that contemporary cultural forms such as television and the Internet involve more than the perceptual system of sight and more than visual images as a communicative mode, and that to be relevant to contemporary social practice, art education must embrace interaction between communicative modes.
Journal ArticleDOI

When facts, truth, and reality are God‐terms: on journalism's uneasy place in cultural studies

TL;DR: The authors argue that the tensions between the two fields have worked to mutual disadvantage and suggest that rethinking the ways in which journalism and its inquiry might be made a more integral part of cultural studies could constitute a litmus test of sorts for cultural studies.
Book

Media Representation and the Global Imagination

Shani Orgad
TL;DR: Ogad as mentioned in this paper explores how images, stories and voices, on television, the Internet, and in advertisements and newspapers, invite us to relocate to distant contexts, and to relate to people who are remote from our daily lives, by developing "mediated intimacy" and focusing on the self.
Book

Narrative and Media

TL;DR: In this paper, the power of narrative and its relationship to post-structuralism is discussed. But the focus is on the post-Structuralism of narrative, and not on the structure of narrative.
Dissertation

L’émergence d’un discours féministe dans la fiction courte de Nathaniel Hawthorne (1832-1844) : l’écriture du devenir-femme

Linda Sahmadi
TL;DR: Les portraits de femmes de la fiction hawthornienne se caracterisent donc par un binarisme essentialisme-differentialisme qui emane de la vision etroite des protagonistes masculins, and que l'auteur tente de depasser as discussed by the authors.