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On Deconstruction: Theory and Criticism after Structuralism

TLDR
In this article, the authors discuss readers and reading and deconstructive critical criticism. But their focus is on the reader and reading as a woman, and not on the critic.
Abstract
Preface to New Edition. Preface to First Edition Introduction Chapter 1: Readers and Reading 1. New Fortunes 2. Reading as a Woman 3. Stories of Reading Chapter 2: Deconstruction 1. Writing and Logocentrism 2. Meaning and Iterability 3. Grafts and Graft 4. Institutions and Inversions 5. Critical Consequences Chapter 3: Deconstructive Criticism Bibliography. Index

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Journal ArticleDOI

Speech-act theory revisited: Rule notions and reader-oriented criticism

Jacqueline M Henkel
- 01 Dec 1988 - 
TL;DR: The authors examines an especially influential speech-act account, John Searle's Speech Acts, and finds some conflation of rule descriptions of pre-existing institutions and individual actions invoking institutional norms.
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A post-humanist deconstruction of the modern continental aesthetic tradition

TL;DR: The modern Continental aesthetic and artistic tradition is often placed in the humanist camp and implicated in the construction of totalising subject formations as mentioned in this paper, but this is not the case here.
Journal ArticleDOI

The Content of the Form and other Textual Politics. Configurations of Nationhood and Citizenship in Disgrace and Agaat

TL;DR: In this paper, the relationship between literature and identity is examined by analysing two recent South-African novels i.e. Disgrace and Agaat, which are examples of how the singularity of great literature needs an interdisciplinary approach that does justice to the way in which a novel is part of, and simultaneously co-constructs, the discourses on history, identity and citizenship.
Journal ArticleDOI

Re-creating the Literary Text: Practice and Theory

Norma Greco
- 01 Nov 1990 - 
TL;DR: English teachers at all levels have discovered the value of reader-response approaches to teaching literature and have found that one of the most effective ways in which teachers can help their students become "producers" and in so doing transform the reading and study of literature into a more creative and meaningful experience is through certain focused writing assignments that challenge students to become vital agents in the construction of textual meaning.