Open Access
Popular culture and performance in the Victorian city
Veronica Kelly
- Vol. 5, pp 170-173
About:
The article was published on 1999-01-01 and is currently open access. It has received 32 citations till now. The article focuses on the topics: Theatre criticism & The arts.read more
Citations
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Journal ArticleDOI
Pleasure at Work? Gender, Consumption and Work‐based Identities in the Creative Industries
Sean Nixon,Ben Crewe +1 more
TL;DR: This article explored how two sets of creative workers in advertising and magazine publishing handled the ideal of the creative worker and the fun and funky image of these areas of work and found that the subjective investment of these practitioners within particular forms of masculinity and the way, through this, gender was written into the creative cultures of advertising and magazines publish.
DissertationDOI
Black North American and Caribbean music in European metropolises : a transnational perspective of Paris and London music scenes (1920s-1950s)
TL;DR: This article examined the evolution of black musical genres in London and Paris during the late imperial period (1920s-1950s) within the urban music scenes of two imperial metropolises, and how they played an important role on the entertainment circuit.
Journal ArticleDOI
From Hegemony to Governmentality: Changing Conceptions of Power in Social History
TL;DR: In this paper, the authors explore the theoretical implications of these concepts and look at how ideas associated with governmentality in particular have been operationalised in recent historical writing, including the work of Mary Poovey and Patrick Joyce.
BookDOI
Beiträge zum Göttinger Umwelthistorischen Kolloquium 2009 - 2010
TL;DR: The Göttinger Umwelthistorischen Kolloquium as mentioned in this paper is an einrichtigen, thematisch einschlägigen Aktivitäten des Standortes wie auch des deutschsprachigen Raumes durch Austausch von Forschungsergebnissen und Sichtweisen bündelt.
Dissertation
Illustrious Visitors in New Zealand 1880s???1930s
TL;DR: The authors contextualized some of these recognizable names and faces by placing them into the transnational circuits that brought them to New Zealand, and argued that New Zealanders actively participated in these transnational networks of politics, entertainment, and sport.
References
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Journal ArticleDOI
Pleasure at Work? Gender, Consumption and Work‐based Identities in the Creative Industries
Sean Nixon,Ben Crewe +1 more
TL;DR: This article explored how two sets of creative workers in advertising and magazine publishing handled the ideal of the creative worker and the fun and funky image of these areas of work and found that the subjective investment of these practitioners within particular forms of masculinity and the way, through this, gender was written into the creative cultures of advertising and magazines publish.
DissertationDOI
Black North American and Caribbean music in European metropolises : a transnational perspective of Paris and London music scenes (1920s-1950s)
TL;DR: This article examined the evolution of black musical genres in London and Paris during the late imperial period (1920s-1950s) within the urban music scenes of two imperial metropolises, and how they played an important role on the entertainment circuit.
Journal ArticleDOI
From Hegemony to Governmentality: Changing Conceptions of Power in Social History
TL;DR: In this paper, the authors explore the theoretical implications of these concepts and look at how ideas associated with governmentality in particular have been operationalised in recent historical writing, including the work of Mary Poovey and Patrick Joyce.
BookDOI
Beiträge zum Göttinger Umwelthistorischen Kolloquium 2009 - 2010
TL;DR: The Göttinger Umwelthistorischen Kolloquium as mentioned in this paper is an einrichtigen, thematisch einschlägigen Aktivitäten des Standortes wie auch des deutschsprachigen Raumes durch Austausch von Forschungsergebnissen und Sichtweisen bündelt.
Dissertation
Illustrious Visitors in New Zealand 1880s???1930s
TL;DR: The authors contextualized some of these recognizable names and faces by placing them into the transnational circuits that brought them to New Zealand, and argued that New Zealanders actively participated in these transnational networks of politics, entertainment, and sport.