Open AccessJournal Article
Remembrance of Things Past: Music, Autobiographical Memory, and Emotion
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This article is published in ACR North American Advances.The article was published on 1992-01-01 and is currently open access. It has received 162 citations till now. The article focuses on the topics: Autobiographical memory.read more
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Emotional responses to music: The need to consider underlying mechanisms
TL;DR: It is concluded that music evokes emotions through mechanisms that are not unique to music, and that the study of musical emotions could benefit the emotion field as a whole by providing novel paradigms for emotion induction.
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Extended Self in a Digital World
TL;DR: In this paper, a conceptual update of the extended self was proposed to revitalize the concept, incorporate the impacts of digitization, and provide an understanding of consumer sense of self in today's technological environment.
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Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning
TL;DR: In this paper, the authors conduct a "netnographic" analysis of two prominent retro brands, the Volkswagen New Beetle and Star Wars: Episode I, The Phantom Menace, that reveals the importance of Allegory (brand story), Aura (brand essence), Arcadia (idealized community), and Antinomy (brand paradox).
Journal ArticleDOI
Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning
TL;DR: In this paper, the authors conduct a "netnographic" analysis of two prominent retro brands, the Volkswagen New Beetle and Star Wars: Episode I-The Phantom Menace, that reveals the importance of Allegory (brand story), Aura (brand essence), Arcadia (idealized community), and Antinomy (brand paradox).
Journal ArticleDOI
From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions.
TL;DR: An updated and expanded version of the multi-level framework that aims to explain emotional responses to music in terms of a large set of psychological mechanisms is offered, with the addition of a mechanism corresponding to aesthetic judgments of the music, to better account for typical 'appreciation emotions' such as admiration and awe.