Shades of light: Photography and Australia, 1839-1988

A culture of speed: the dilemma of being modern in 1930s Australia

Overview This edited collection understands exploration as a collective effort and experience involving a variety of people in diverse kinds of relationships. It engages with the recent resurgence of interest in the history of exploration by focusing on the various indigenous intermediaries – Jacky Jacky, Bungaree, Moowattin, Tupaia, Mai, Cheealthluc and lesser-known individuals – who were the guides, translators, and hosts that assisted and facilitated European travellers in exploring different parts of the world. These intermediaries are rarely the authors of exploration narratives, or the main focus within exploration archives. Nonetheless the archives of exploration contain imprints of their presence, experience and contributions. The chapters present a range of ways of reading archives to bring them to the fore. The contributors ask new questions of existing materials, suggest new interpretive approaches, and present innovative ways to enhance sources so as to generate new stories.

Indigenous Intermediaries: New perspectives on exploration archives

A hundred years ago the international craze for picture postcards distributed millions of images of popular stage actresses around the world. The cards were bought, sent, and collected by many whose contact with live theatre was sometimes minimal. Veronica Kelly's study of some of these cards sent in Australia indicates the increasing reach of theatrical images and celebrity brought about by the distribution mechanisms of industrial mass modernity. The specific social purposes and contexts of the senders are revealed by cross-reading the images themselves with the private messages on the backs, suggesting that, once outside the industrial framing of theatre or the dramatic one of specific roles, the actress operated as a multiply signifying icon within mass culture – with the desires and consumer power of women major factors in the consumption of the glamour actress card. A study of the typical visual rhetoric of these postcards indicates the authorized modes of femininity being constructed by the major postcard publishers whose products were distributed to theatre fans and non-theatregoers alike through the post. Veronica Kelly is working on a project dealing with commercial managements and stars in early twentieth-century Australian theatre. She teaches in the School of English, Media Studies, and Art History at the University of Queensland, is co-editor of Australasian Drama Studies, and author of databases and articles dealing with colonial and contemporary Australian theatre history and dramatic criticism. Her books include The Theatre of Louis Nowra (1998) and the collection Our Australian Theatre in the 1990s (1998).

Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia

Images have been restricted due to copyright. A print copy of the full text and images are available from Special Collections. https://aeon.unimelb.edu.au/

Consuming illusions: the magic lantern in Australia and Aotearoa/New Zealand 1850-1910

One of the most frequently encountered representations of West Papuan people internationally today is a photographic or video image of a Korowai or Kombai treehouse (Figure 1). Circulation of these images first exploded in the mid-1990s. In 1994, an Arts & Entertainment Channel film about Korowai was broadcast in the United States under the title Treehouse People: Cannibal Justice, and in 1996 National Geographic published a photo essay titled “Irian Jaya’s People of the Trees.” Korowai and Kombai treehouses have since been depicted in dozens of magazine and newspaper articles and twenty television productions, made by media professionals from the United States, United Kingdom, France, Germany, Austria, Sweden, Finland, Japan, Australia, Switzerland, Italy, Croatia, Slovakia, the Czech Republic, Vietnam, and recently West Papua itself. Some representations have had mass global distribution through programming partnerships and satellite transmission agreements, and international editions of major magazines. Recently, several reality television programs have been produced about white travelers’ stays in treehouses with Korowai or Kombai hosts. These include an episode of Tribe broadcast on BBC and Discovery in 2005, the six episodes of Living with the Kombai Tribe shown on Travel Channel and Discovery International in 2007, and an episode of Rendez-Vous En Terre Inconnue televised to much acclaim on France 2 in 2009. Treehouses were widely seen by Australian audiences in

https://www.papuaerfgoed.org/files/u1/download_3.pdf?origin=publication_detail

Shades of light: Photography and Australia, 1839-1988

Citations

A culture of speed: the dilemma of being modern in 1930s Australia

Indigenous Intermediaries: New perspectives on exploration archives

Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia

Consuming illusions: the magic lantern in Australia and Aotearoa/New Zealand 1850-1910

The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture

Related Papers (3)

Historical light on photography

The Language of Light and Dark: Light and Place in Australian Photography

Masters of Photography