Journal ArticleDOI
Sounding Postmodernity: Narrative Voices in the Radio Adaptation of Alasdair Gray's Lanark
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TLDR
In this article, a radio play adaptation of the novel Lanark: A Life in Four Books (1981) is presented, and the authors focus on the narratological category of "voice" and explore what happens when narrators and characters' voices are actualized in radio drama.Abstract:
Alasdair Gray’s novel Lanark: A Life in Four Books (1981) eludes generic categorization by crossing the boundaries between dystopian fiction, fantasy novel, life writing, and fiction marked by magic realism. In postmodern fashion, it plays with spatiotemporal frameworks and narrative order, shifts narrative voices, and perspectives and uses a multiplicity of presentational modes including dialogue and scholarly text commentary with encyclopedic annotations. In its “Epilogue,” the novel features metalepsis when it introduces the author, who talks to his protagonist about his work. The question arises how the novel’s radio play adaptation, first broadcast by the BBC on 1 November 2014, translates this playfulness into its own semiotic system. This paper particularly focuses on the narratological category of “voice” and explores what happens when narrators’ and characters’ voices are actualized in radio drama, how the radio play uses voice-over narration, voice qualities and the doubling of parts to create a recognizable as well as surprising aural storyworld. It also analyzes how sound techniques and music are employed to create narrative structures. Because of their medial instantaneousness and evanescence, radio plays arguably have to rely on disambiguation to make themselves accessible to a listening audience. However, as this paper shows, they also have a range of radiophonic techniques at their disposal to create narrativity on their own terms.read more
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Narrativity and Sound in German Radio Play Adaptations of Paul Auster's The New York Trilogy
TL;DR: In this paper, the authors explored the different modes of narrative sound in three German radio play adaptations of Auster's New York Trilogy, Stadt aus Glas, Katharina Bihler's Schlagschatten, and Norbert Schaeffer's Hinter verschlossenen Turen.
Journal ArticleDOI
Multisensory Imaginings: An Audionarratological Analysis of Philip Roth's Novel Indignation and its German Radio Play Adaptation Empörung
Jarmila Mildorf,Till Kinzel +1 more
TL;DR: In this article, the authors analyze the German radio play adaptation of Philip Roth's novel Indignation from an audionarratological perspective and show how both the book and the radio play offer potential for multisensory experiences on the part of readers and radio audiences.
Journal ArticleDOI
Book and Radio Play Silences: Medial Pauses and Reticence in ‘Murke's Collected Silences’ by Heinrich Böll
TL;DR: This article analyzed silence at the interface between print and audio media by reading and listening to Heinrich Boll's short story "Murke's Collected Silences" (Doktor Murkes gesammeltes Schweig... ).
Journal ArticleDOI
Text to Speech: Transportation-Imagery Theory and Outcomes of Narrative Delivery Format
TL;DR: The authors explored how narrative formats facilitate transportation and related phenomena and found that over two hundred subjects encountered fictional stories in different iterations: printed text or audiobox, and they found that the stories facilitated transportation.
References
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Stimme(n) im Text: Narratologische Positionsbestimmungen
TL;DR: The authors investigated the relationship between the narrator's speech and that of the narrative figures within the triad of author, narrator and figure, drawing in historical aspects and insights from the psychology of cognition and reception.