Journal ArticleDOI
The Fictional Labyrinths of Thomas Pynchon.
James M. Mellard,David Seed +1 more
About:
This article is published in American Literature.The article was published on 1989-03-01. It has received 65 citations till now.read more
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Book ChapterDOI
Critical Literature Review
TL;DR: In this article, a review of the literature is used as a way to frame and focus a research project, which can help to enhance conceptual sensitivity and make claims about the possible significance of a work.
Postmodern American Gothic: The politics of fear in the works of Thomas Pynchon, David Lynch, and Steve Erickson
TL;DR: Paice as discussed by the authors argues that the works of artists Thomas Pynchon, David Lynch, and Steve Erickson signify the post-modern American Gothic through their production of a symbolic economy of fear, paranoia, and dread.
Journal ArticleDOI
“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.
TL;DR: In this paper, the authors examine the role of the popular musician in the production of consumer culture, focusing on McClintic Sphere (V. ), The Paranoids (Lot 49 ), and Billy Barf and the Vomitones ( Vineland ).
References
More filters
Book ChapterDOI
Critical Literature Review
TL;DR: In this article, a review of the literature is used as a way to frame and focus a research project, which can help to enhance conceptual sensitivity and make claims about the possible significance of a work.
Postmodern American Gothic: The politics of fear in the works of Thomas Pynchon, David Lynch, and Steve Erickson
TL;DR: Paice as discussed by the authors argues that the works of artists Thomas Pynchon, David Lynch, and Steve Erickson signify the post-modern American Gothic through their production of a symbolic economy of fear, paranoia, and dread.
Journal ArticleDOI
“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.
TL;DR: In this paper, the authors examine the role of the popular musician in the production of consumer culture, focusing on McClintic Sphere (V. ), The Paranoids (Lot 49 ), and Billy Barf and the Vomitones ( Vineland ).