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The modernist novel speaks its mind
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TLDR
In this article, the modernist novel is seen as arising from a problem in genre, namely the inability of Romanticism to imagine its own fulfillment, and the difficulties in reconciling this aesthetic to novelistic form account for the strangeness of the modernistic novel, whose linguistic form aspires to the condition of lyric at the same time that its plot stages the failure of such an aspiration.Abstract:
This study conceives the modernist novel as arising from a problem in genre. The end of the nineteenth century left English literature with a rich tradition of narrative prose describing the social and material worlds. At the same time, its aesthetic discourse was dominated by a Romantic poetics which described artworks as staging an opposition between spirit and matter, nature and freedom; and which placed lyric poetry, as an expression of spirit rather than a mimesis of nature, uppermost in its ranking of genres. The difficulties in reconciling this aesthetic to novelistic form account for the strangeness of the modernist novel, whose linguistic form aspires to the condition of lyric at the same time that its plot stages the failure of such an aspiration, the inability of Romanticism to imagine its own fulfillment. I begin with Henry James as a transitional figure; continue with William Faulkner and Virginia Woolf as exemplars of a Romantic-lyric poetics of the novel; and conclude with James Joyce, whose fictional forms resemble those of his contemporaries but ultimately reject many of their Romantic commitments. Some reference is made to twentieth-century philosophers, in particular Ludwig Wittgenstein, as thinkers with points of concordance.read more
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Marxism and Form
TL;DR: The Marxism and Form collection as mentioned in this paper is a collection of several self-contained but intimately related essays in aesthetic theory written between 1967 and 1970 on Adorno, Benjamin, Marcuse, Bloch, Lukács, and Sartre.
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Lyric Time: Dickinson and the Limits of Genre.
Edwin S. Fussell,Sharon Cameron +1 more
TL;DR: Cameron as mentioned in this paper suggests that the temporal problems of Dickinson's poems are frequently exaggerations of the features that distinguish the lyric as a genre, and that it is precisely the distance some of her poems go toward the far end of coherence, precisely the outlandishness of their extremity, that allows us to see, magnified, the fine workings of more conventional lyrics.
References
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Book
Essays on actions and events
TL;DR: The Logical Form of Action Sentences (LFIAS) as mentioned in this paper is a formal form of action sentences that can be expressed as follows: 1. ACTIONS, REASONS, and CAUSES.
Journal ArticleDOI
The Political Unconscious: Narrative as a Socially Symbolic Act
Tom Conley,Fredric Jameson +1 more
Book
Empiricism and the philosophy of mind
TL;DR: The Logic of Private Episodes: Impressions Study Guide by Robert Brandom as mentioned in this paper is a study guide for the theory of private episodes in science and natural language processing, which is based on the classical view of Rylean Ancestors.
Book
Mind and World
TL;DR: McDowell as discussed by the authors argues that modern philosophy finds it difficult to give a satisfactory picture of the place of minds in the world, and proposes to return to a pre-modern conception of nature but retaining the intellectual advance of modernity that has mistakenly been viewed as dislodging it.