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The processing of structured and unstructured tonal sequences

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TLDR
The recall of hierarchically organized tonal sequences was investigated, and strong effects of sequence structure were obtained, providing evidence for the hypothesis that tonal materials are encoded by inferring sequence structures and alphabets at different hierarchical levels, together with their rules of combination.
Abstract
The recall of hierarchically organized tonal sequences was investigated in two experiments. An adaptation of the technique of melodic dictation was employed, in which musically trained listeners notated each sequence after it was presented. Strong effects of sequence structure were obtained. Sequences whose tonal structure could be parsimoniously encoded in hierarchical fashion were recalled with a high level of accuracy. Sequences that could not be parsimoniously encoded produced substantially more errors in recall. Temporal segmentation was found to have a substantial effect on performance, which reflected grouping by temporal proximity regardless of tonal structure. The results provide evidence for the hypothesis that we encode tonal materials by inferring sequence structures and alphabets at different hierarchical levels, together with their rules of combination.

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Tonal Pitch Space

Fred Lerdahl
TL;DR: A different model of pitch space that treats pitches, chords, and regions within one framework, correlates with the experimental data, and connects in interesting ways with a variety of music theories is introduced.
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The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending.

TL;DR: It is suggested that growth trends can be expressed in terms of listeners' engagement of slower attending oscillators with age and experience, accompanied by the passage from the initial use of a single oscillator towards the coupling of multiple oscillators.
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Mental representations for musical meter.

TL;DR: Mental representations for structural regularities underlying musical meter that influence perceiving, remembering, and composing music are suggested.
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Resonance and the Perception of Musical Meter

TL;DR: This article introduces a novel connectionist unit, based upon a mathematical model of entrainment, capable of phase- and frequency-locking to periodic components of incoming rhythmic patterns, and its resulting network behavior embodies the perception of metrical structure.
References
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Journal Article

The magical number seven, plus or minus two: some limits on our capacity for processing information

TL;DR: The theory of information as discussed by the authors provides a yardstick for calibrating our stimulus materials and for measuring the performance of our subjects and provides a quantitative way of getting at some of these questions.
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The magical number seven plus or minus two: some limits on our capacity for processing information

TL;DR: The theory provides us with a yardstick for calibrating the authors' stimulus materials and for measuring the performance of their subjects, and the concepts and measures provided by the theory provide a quantitative way of getting at some of these questions.
Book

The Psychology of Learning and Motivation: Advances in Research and Theory

Brian H. Ross
TL;DR: The Psychology of Learning and Motivation (PLM) series as mentioned in this paper is a collection of contributions in cognitive and experimental psychology, ranging from classical and instrumental conditioning to complex learning and problem solving.
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Emotion and Meaning in Music

TL;DR: Kraehenbuehl and McAllester as discussed by the authors studied the relationship between pattern and meaning in music, and provided a basis for meaningful discussion of emotion and meaning of all art.