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Open AccessJournal Article

The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society

John Durham Peters
- 01 Jan 1991 - 
- Vol. 72, Iss: 2
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This article is published in Quarterly Journal of Speech.The article was published on 1991-01-01 and is currently open access. It has received 4902 citations till now. The article focuses on the topics: Public sphere.

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Citations
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Varieties of Participation in Complex Governance

TL;DR: In this paper, the authors develop a framework for understanding the range of institutional possibilities for public participation, including who participates, how participants communicate with one another and make decisions together, and how discussions are linked with policy or public action.
Book ChapterDOI

Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications

danah boyd
TL;DR: Ito et al. as discussed by the authors argue that publics can be reactors, re-makers and re-distributors, engaging in shared culture and knowledge through discourse and social exchange as well as through acts of media reception.
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A New Era of Minimal Effects? The Changing Foundations of Political Communication

TL;DR: For instance, this article pointed out that people have become increasingly detached from overarching institutions such as public schools, political parties, and civic groups, which at one time provided a shared context for receiving and interpreting messages.
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The virtual sphere: The internet as a public sphere

TL;DR: The internet and its surrounding technologies hold the promise of reviving the public sphere; however, several aspects of these new technologies simultaneously curtail and augment that potential as discussed by the authors, and it is possible that internet-based technologies will adapt themselves to the current political culture, rather than create a new one.
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Democracy online: civility, politeness, and the democratic potential of online political discussion groups:

TL;DR: The study results revealed that most messages posted on political newsgroups were civil, and suggested that because the absence of face-to-face communication fostered more heated discussion, cyberspace might actually promote Lyotard's vision of democratic emancipation through disagreement and anarchy.
References
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Journal ArticleDOI

The Work of Tragic Productions: Towards a New History of Drama as Labour Culture

TL;DR: For example, this article pointed out that the repeated returns to certain aspects of Oedipus or Antigone have contributed to a structured silence around the issue of class relations.
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British Identity and ‘The People's Princess’:

TL;DR: In this paper, the popular response to the death of Diana, Princess of Wales, was treated as a manifestation of the cultural public sphere, by which is meant a symbolic space for affective communication and an emotional sense of democratic participation.
Journal ArticleDOI

Ownership as an instrument of policy and understanding in the public sphere: trends and research agenda

TL;DR: The last 30 years have witnessed several notable trends involving ownership and regulation, public and private law, financial outlays and returns, shareholders and stakeholders, and principals and agents, leading to suggested lines of ownership-based research on power, leadership and organisational maturity in and beyond government as mentioned in this paper.
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What is ‘publicly available data’? Exploring blurred public-private boundaries and ethical practices through a case study on Instagram

TL;DR: The case is made for a more reflexive approach to social media research ethics that builds on the socio-techno-ethical affordances of the platform to address difficult questions about how to determine social media users’ diverse, and sometimes contradictory, understandings of what is “public.”

Disruptive Technology: Effects of Technology Regulation on Democracy

Mathias Klang
TL;DR: In this paper, the author and cover artist under a Creative Commons Attribution-Non-Commercial-ShareAlike 2.5 License are licensed by the authors and cover artists under the following conditions: