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Understanding Robert Coover

Brian Evenson
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TLDR
In this paper, the authors take on the work of Robert Coover, a major figure of post-modern metafiction, and present an analysis of Coover's short stories and novels, demonstrating how Coover writes in several different modes that cross over into one another.
Abstract
This text takes on the work of Robert Coover, a major figure of postmodern metafiction. In an analysis of Coover's short stories and novels, it demonstrates how Coover writes in several different modes that cross over into one another.

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The Babysitter: A Feminist Interpretation

TL;DR: In this paper, the authors analyze men's aggressive oppressions upon women as well as women's compromise and rebellion towards the sexual violence, and investigate that the awakening of female independent consciousness is a key factor in effectively helping women achieve the gender equality between sexes.
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“I’m a I’m a Scholar at the Moment”: The Voice of the Literary Critic in the Works of American Scholar-Metafictionists

TL;DR: The authors examined the interplay of the "creative" and the "critical" in five American metafictions from the late 1960s, whose authors were both fictional writers and scholars: Donald Barthelme's Snow White, John Barth's Lost in the Funhouse, William H. Gass' Willie Masters' Lonesome Wife, Robert Coover's Pricksongs and Descants and Ronald Sukenick's The Death of the Novel and Other Stories.

Patterns of Male/Erotic Fantasy in Coover’s “The Babysitter”

TL;DR: In this paper, the authors study the patterns of the male fantasy in Coover's erotically charged short story, "The Babysitter" and explore the binary power relation embedded in these fantasies.