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Flow The Psychology Of Optimal Experience

Story and Discourse. Narrative Structure in Fiction and Film

Digital media art mainly studies the methods and techniques of using information technology for artistic processing and creation. Through theoretical study, professional skills training, etc., people can master the use of digital media software and have the ability to use digital technology to perform artistic processing on various types of works. This article is aimed at studying the art analysis of digital painting media based on wireless networks. In the past few years, as the country pays more and more attention to it, the level of science and technology in our country is constantly improving. At this stage, it has entered a new media environment using digital media. In the method part, this article proposes wireless network technology. It is believed that digital painting and traditional painting are very different in expression form and artistic concept. Digital painting transforms the static expression of traditional painting into digital form, so that they are no longer limited to the static expression of the plane. In the algorithm part, this article uses the algorithm of virtual technology to make a long-term plan for the development of digital painting media art. The experimental results of this paper show that the proportions of digital media art materials in practical technology, visual experience, and Chinese painting are 50%, 61%, and 73%, respectively, and their proportions are constantly increasing, occupying an important role in the field of digital media art.

/pdf/study-of-digital-painting-media-art-based-on-wireless-4grodogql9.pdf

Study of Digital Painting Media Art Based on Wireless Network

In this paper, we propose to interrelate the scene’s colour composition design of media façade with colour psychology, to intuitively reach a more expressive form, richer artistic value, and enhance its narrative ability. It can also solve the problem of visual fatigue caused by the excessive colour of the media façade. With the advent of media facade technology, is getting widely used in the field of media technology as a ubiquitous technique. Due to the influence of the external environment, the content is mainly displayed to the audience through various basic colour pattern transformations. However, the case of the narrative media facade is often endowed with certain artistic value and thus is more acceptable to the public. Therefore, how to use a single colour transformation to express the narrative way as delicate as a movie is a problem worth exploring. Aiming at this situation, this paper analyzes the influence of colour psychology on the production of media façade to enhance its narrative. Through the comparison of two cases with the same attribute at different times, the common feature of colour composition is expressed in time conversion and seasonal changes.

/pdf/composition-in-media-facade-of-narrative-subject-based-on-362picl1of.pdf

Composition in Media Facade of Narrative Subject Based on Colour Psychology

Human-computer interaction (HCI) design is the modern and advanced research area that is focused on human or user and system or device interactions. HCI is concerned with new and advanced approaches to a system that must be reliable and efficient to the user. HCI design required a longer and critical development process, methods or framework that passes through various evaluation phases. Due to an inadequacy of user-centered and value sensitive design for a system or device, numerous designs and artifacts do not draw attention to the user. On the other hand, user perception of advanced and new devices are not acceptable and perceived, if not reliable or facile to them. HCI comprises several methods, principles, and criteria which are followed during the development of interaction design. Even then, at times the evolved new and advanced interaction artifacts are unable to reach the user attraction. The HCI methodologies promote the researchers as well as designers to form and develop new and advanced innovations whereas, interaction design term plays a significant role in the design process. In this paper, the key concern is to analyze the conventional design method, Activity Theory (AT) and consider the principles of HCI and bring in a conceptual extended AT model to develop the appearance of Human-computer interaction design.

Revised Theoretical Approach of Activity Theory for Human Computer Interaction Design

Kinetic art is losing its influence by a limit of physical movement. Gestalt psychology which is applied a lot in the field of design is used as effective means that can deliver suggestive meaning with small amount of material. This study analyzes with six principles of continuity, contiguity, similarity, simplicity, closure, separation out of principles of Gestalt psychology. Works that used basic elements such as movement, color and figure only were selected. This study draws a reason which can create artistic and colorful visual effect overcoming a limit through analysis. This study is to present a possibility of visual expression by analysis of Gestalt psychology.

A study on analysis of kinetic art in terms of gestalt psychology: Base on basic elements

Whether the popular culture is formed by the public like the dictionary definition or by the certain power was identified through Antonio Gramsci’s hegemony theory and expressed with the work "Transmission". According to Gramsci, the popular culture is formed by the hegemony. In this study, the topic of 'popular culture, invisible transmission of power' was drawn by analyzing the principle of hegemony and this topic was expressed with the kinetic art composed of motor, gear, circle and canvas. This work shows the generation process of popular culture through the transmission of invisible power through the contrast of the visibles and the invisibles by equipping all the kinetic elements.

http://onlinepresent.org/proceedings/vol113_2015/5.pdf

Kinetic Art: Popular Culture, Invisible ‘Transmission’ of Power

With the development of technology there is various and lively activity concerning interactive arts at the seam of the real and the virtual. Interactive Projection Mapping comes out of this active climate, allowing realtime interactivity between audiences and art. Audiences have become attracted and engaged to become participants in a game of communication. This paper focuses on Interactive Projection Mapping’s interfaces that are the communication tools, which perpetuate the contents of the project and its suitability. The interactivity of engagement suggests a sense of participation enjoyment and play.

Interactive Interfaces in Projection Mapping Projects: Participation through Play

Shadow art is being used as a media of expression of many works of art and is evoking psychological and mental sensibility from viewers. To investigate artistic meaning of shadow, this study analyzed characteristics of shadow as amusement, space expandability, simplicity, and temporality and suggested that shadow is expressing artistic sensibility as a formative element through analysis, and investigated how expression method and concept of shadow are expressed in complex art fields as painting, installation, and media art.

http://onlinepresent.org/proceedings/vol113_2015/15.pdf

Case Study on Formative Elements of the Shadows in Media Arts

"The Station in front of Hyonchang Park reformulates the urban skyline into musical format. Music City image across the screen to transfer information to get a sense of empathy with the heart. In this study, the serialism that was the sound of artwork using the coordinates given to melody and rhythm it was implemented based media works.

http://onlinepresent.org/proceedings/vol113_2015/34.pdf

Changyong Jung

Papers

A study on analysis of kinetic art in terms of gestalt psychology: Base on basic elements

Kinetic Art: Popular Culture, Invisible ‘Transmission’ of Power

Interactive Interfaces in Projection Mapping Projects: Participation through Play

Case Study on Formative Elements of the Shadows in Media Arts

Research on the Media Art method which makes the city environment into music