J
Julia F. Christensen
Researcher at Max Planck Society
Publications - 35
Citations - 993
Julia F. Christensen is an academic researcher from Max Planck Society. The author has contributed to research in topics: Dance & Sense of agency. The author has an hindex of 15, co-authored 31 publications receiving 751 citations. Previous affiliations of Julia F. Christensen include University College London & City University London.
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Moral dilemmas in cognitive neuroscience of moral decision-making: a principled review.
TL;DR: A systematic review of 19 experimental design parameters that can be identified in moral dilemmas is presented and establishes a methodological basis for the required homogeneity between studies and suggests the consideration of experimental aspects that have not yet received much attention despite their relevance.
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Coercion Changes the Sense of Agency in the Human Brain
TL;DR: Coercion increased the perceived interval between action and outcome, relative to a situation where participants freely chose to inflict the same harms, and coercion also reduced the neural processing of the outcomes of one’s own action.
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Moral judgment reloaded: a moral dilemma validation study.
Julia F. Christensen,Albert Flexas,Margareta Calabrese,Nadine K. Gut,Nadine K. Gut,Nadine K. Gut,Antoni Gomila +6 more
TL;DR: In this paper, a set of 46 moral dilemmas for studies on moral judgment is presented, which are fine-tuned in terms of four conceptual factors (Personal Force, Benefit Recipient, Evitability, and Intention) and methodological aspects of the dilemma formulation (word count, expression style, question formats).
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I just lost it! Fear and anger reduce the sense of agency: a study using intentional binding.
TL;DR: Fear or anger reduced the subjective sense of control over an action outcome, even though the objective causal link between action and outcome remained the same.
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Dance as a subject for empirical aesthetics.
TL;DR: In this article, the authors highlight the possibilities that research on dance appreciation offers empirical aesthetics, as well as the challenges it poses, and point out avenues for future research in dance appreciation within the scope of empirical aesthetics.