Stephen Brockmann

TL;DR: German Film History and German Studies Early German Film History 1895-1918: Historical Overview Der Student von Prag (1913) and Learning to Look Weimar Cinema 1919-1933: historical overview Das Cabinet des Dr. Caligari (1920) or Film as Hypnosis Der letzte Mann (1924) or Learning to Move Metropolis (1927) or Technology and Sex Der blaue Engel (1928) and learning to Talk M (1931) or Sound and Terror Nazi Cinema 1933-1945: Historical overview Triumph des Willens: (

TL;DR: In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation as discussed by the authors.

TL;DR: The Historikerstreit that broke out in West Germany in the summer of 1986 was one of those rare instances when the work of historians suddenly seems to take on vital national political importance, catapulting otherwise unassuming scholars into the public spotlight and creating immense general interest in what they do and say.

TL;DR: In this paper, almog, kirsten Belgum, Benjamin Biebuyck, Stephen Brockmann, Vance Byrd, Necia Chronister, Nicole Coleman and lisabeth hock, Carol anne Costabile-heming, Gisela holfter, Jennifer ruth hosek, kathrin Maurer and Moritz Schramm, Patrizia C. McBride, Jan Mieszkowski, John k. Noyes, Benjamin robinson, Carrie Smith, Scott Spector, Brangwen Stone and katie Sutton,