Co-Planar Stereotaxic Atlas of the Human Brain—3-Dimensional Proportional System: An Approach to Cerebral Imaging, J. Talairach, P. Tournoux. Georg Thieme Verlag, New York (1988), 122 pp., 130 figs. DM 268

A motion sequence may be represented as a single pattern in x–y–t space; a velocity of motion corresponds to a three-dimensional orientation in this space. Motion sinformation can be extracted by a system that responds to the oriented spatiotemporal energy. We discuss a class of models for human motion mechanisms in which the first stage consists of linear filters that are oriented in space-time and tuned in spatial frequency. The outputs of quadrature pairs of such filters are squared and summed to give a measure of motion energy. These responses are then fed into an opponent stage. Energy models can be built from elements that are consistent with known physiology and psychophysics, and they permit a qualitative understanding of a variety of motion phenomena.

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Spatiotemporal energy models for the perception of motion

Anatomical and physiological observations in monkeys indicate that the primate visual system consists of several separate and independent subdivisions that analyze different aspects of the same retinal image: cells in cortical visual areas 1 and 2 and higher visual areas are segregated into three interdigitating subdivisions that differ in their selectivity for color, stereopsis, movement, and orientation. The pathways selective for form and color seem to be derived mainly from the parvocellular geniculate subdivisions, the depth- and movement-selective components from the magnocellular. At lower levels, in the retina and in the geniculate, cells in these two subdivisions differ in their color selectivity, contrast sensitivity, temporal properties, and spatial resolution. These major differences in the properties of cells at lower levels in each of the subdivisions led to the prediction that different visual functions, such as color, depth, movement, and form perception, should exhibit corresponding differences. Human perceptual experiments are remarkably consistent with these predictions. Moreover, perceptual experiments can be designed to ask which subdivisions of the system are responsible for particular visual abilities, such as figure/ground discrimination or perception of depth from perspective or relative movement--functions that might be difficult to deduce from single-cell response properties.

https://science.sciencemag.org/content/sci/240/4853/740.full.pdf

Segregation of form, color, movement, and depth: anatomy, physiology, and perception

https://science.sciencemag.org/content/sci/5/110/206.full.pdf

The american psychological association.

Functional magnetic resonance imaging (fMRI) is currently the mainstay of neuroimaging in cognitive neuroscience. Advances in scanner technology, image acquisition protocols, experimental design, and analysis methods promise to push forward fMRI from mere cartography to the true study of brain organization. However, fundamental questions concerning the interpretation of fMRI data abound, as the conclusions drawn often ignore the actual limitations of the methodology. Here I give an overview of the current state of fMRI, and draw on neuroimaging and physiological data to present the current understanding of the haemodynamic signals and the constraints they impose on neuroimaging data interpretation.

What we can do and what we cannot do with fMRI

Contour erasure is a newly established form of flicker adaptation that diminishes the saliency of object edges leading to their complete disappearance (Anstis, S. 2013. Journal of Vision, 13(2):25, 1–14). If these “disappeared” objects are then viewed on textured backgrounds, the observers experience filling-in, the illusory sense of background completion in the absence of physical input. In a series of observations, we demonstrate that contour erasure can greatly speed up the filling-in (or fading) of brightness. Based on these observations, we suggest that contour adaptation happens early in the magnocellular pathways.

https://journals.sagepub.com/doi/pdf/10.1068/i0624rep

Contour erasure and filling-in: New observations.

A grid of vertical and horizontal lines, each composed of light and dark squares, is moved rigidly at 45° to the vertical on a gray surround. When the luminance of the background is set midway between the luminances of the light and dark squares, the squares appear to race along the lines even though they are actually ‘painted’ on the lines. The effect arises from the unequal apparent speeds of the lines and their textures. The light and dark squares along the lines define a first-order pattern whose apparent speed, parallel or along the line, is close to veridical. The lines themselves have no overall luminance difference from the background so that they are defined by a second-order difference. As reported elsewhere, apparent speed is reduced for second-order motion so that the motion perpendicular to the line is perceived as slower than the motion along the line even though they are physically equal. The imbalance creates the impression that the small squares are moving along the lines rather than movi...

/pdf/the-boogie-woogie-illusion-1lsds3rgyk.pdf

The Boogie-Woogie Illusion

In the triangle-bisection illusion, a dot is inscribed exactly halfway up the height of an equilateral triangle, but it looks apparently far more than halfway up. The illusion is found for second-order triangles defined by stereo depth and by equiluminous texture. It is strongest for equilateral triangles, and even stronger for concave triangles with curved sides. We propose that the observers are probably responding to the centre of area or centre of gravity of the triangle rather than to its half-height.

The triangle-bisection illusion.

Kaneko and Murakami (2012) demonstrated that simultaneous contrast for brightness and color (chromatic saturation) were enhanced by flashing the stimulus very briefly (10 ms). Here we examined whether this effect of duration generalized to other visual features. Tilt illusion and simultaneous hue contrast were both shown to be much stronger with a stimulus duration of 10 ms compared with 500 ms. The similar temporal dynamics for simultaneous contrast across visual features suggest common underlying principles.

Brief presentation enhances various simultaneous contrast effects.

A projector and cylindrical lens are used for displaying gratings and for simple demonstrations of Weber’s law, Fechner’s law, simultaneous contrast, and Fourier synthesis effects in vision.

/pdf/luminance-profiles-demonstrate-nonlinearities-of-brightness-214945z0a7.pdf

Stuart Anstis

Papers

Contour erasure and filling-in: New observations.

The Boogie-Woogie Illusion

The triangle-bisection illusion.

Brief presentation enhances various simultaneous contrast effects.

Luminance profiles demonstrate nonlinearities of brightness perception