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Thierry Pun

Researcher at University of Geneva

Publications -  358
Citations -  17941

Thierry Pun is an academic researcher from University of Geneva. The author has contributed to research in topics: Digital watermarking & Watermark. The author has an hindex of 49, co-authored 358 publications receiving 15919 citations. Previous affiliations of Thierry Pun include National Institutes of Health & École Polytechnique Fédérale de Lausanne.

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Journal ArticleDOI

Secure hybrid robust watermarking resistant against tampering and copy attack

TL;DR: This paper proposes a hybrid watermarking method joining a robust and a fragile or semi-fragile watermark, and thus combining copyright protection and tamper proofing, and demonstrates the superior performance of the proposed approach.
Journal ArticleDOI

Attentive mechanisms for dynamic and static scene analysis

TL;DR: An alerting system that extracts moving objects in a sequence through the use of multiresolution representations, and a detection system that detects regions in still images that are likely to contain objects of interest.
Proceedings ArticleDOI

Multibit digital watermarking robust against local nonlinear geometrical distortions

TL;DR: This paper presents an efficient method for the estimation and recovering from nonlinear or local geometrical distortions, such as the random bending attack and restricted projective transforms, formulated as a robust penalized maximum likelihood (ML) problem, suitable for the local level as well as for global distortions.
Book ChapterDOI

Secure Copyright Protection Techniques for Digital Images

TL;DR: A system for generating digital watermarks and for trading watermarked images is described, based on a new watermarking technique, which is robust against image transformation techniques such as compression, rotation, translation, scaling and cropping.
Proceedings ArticleDOI

Affective Characterization of Movie Scenes Based on Multimedia Content Analysis and User's Physiological Emotional Responses

TL;DR: It is shown that a significant correlation exists between arousal/valence provided by the spectator's self-assessments, and affective grades obtained automatically from either physiological responses or from audio-video features.