Ian McEwan: A Novel Approach to Political Communication
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The article was published on 2014-09-23 and is currently open access. It has received 2 citations till now. The article focuses on the topics: Political communication.read more
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The Hermeneutics of Suspicion: Recovering Marx, Nietzsche, and Freud
TL;DR: The moralizing interpreters of Marx and Freud have been identified by as mentioned in this paper as a kind of hermeneutics of suspicion, which they call the "school of suspicion" of late nineteenth-and early twentieth-century thought.
Journal ArticleDOI
The Reader, the Text, the Poem: The Transactional Theory of the Literary Work
TL;DR: Louise M. Rosenblatt as mentioned in this paper argued that the reading transaction is a unique event involving reader and text at a particular time under particular circumstances, and that the dualistic emphasis of other theories on either the reader or the text as separate and static entities cannot explain the importance of factors such as gender, ethnicity, culture, and socioeconomic context.
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The Quarrel Between Philosophy and Poetry: Studies in Ancient Thought
TL;DR: The Quarrel Between Philosophy and Poetry as discussed by the authors focuses on the theoretical and practical suppositions of the long-standing conflict between philosophy and poetry and examines philosophical activity, questioning whether technical philosophy is a species of poetry, a political program, an interpretation of human existence according to the ideas of 19th and 20th-century thinkers, or a contemplation of beings and Being.
The Hermeneutics of Suspicion: Recovering Marx, Nietzsche, and Freud
TL;DR: The moralizing interpreters of Marx and Freud have been identified by as mentioned in this paper as a kind of hermeneutics of suspicion, which they call the "school of suspicion" of late nineteenth-and early twentieth-century thought.
Book ChapterDOI
Vaughan Williams, Ralph
Abstract: »Style is ultimately national«: Dieser von V.W.’ Lehrer Sir Hubert Parry uberlieferte Ausspruch kann wie ein Motto uber dem Schaffen des Komponisten stehen. Seit er ab 1903 zunachst englische Volkslieder sammelte und spater auch herausgab, er sich uberdies intensiv mit der englischen geistlichen Musik des 16. bis 18. Jahrhunderts beschaftigte, wurde ihm immer deutlicher, das die Emanzipation der englischen Musik von den Einflussen der kontinentaleuropaischen, ja Grose und Eigenstandigkeit in der Musik generell nur durch die Ruckbesinnung auf eigene musikalische Traditionen moglich war. Und das Werk, mit dem V W. sein Programm unmisverstandlich in die musikalische Tat umsetzte, war die Fantasia on a Theme by Thomas Tallis (1910) fur Streichorchester, ein Stuck uber ein Thema eines der wichtigsten englischen Komponisten der Spatrenaissance. Von nun an hatte seine Musik eine vollig eigene, spezifisch »englische« Charakteristik, die die Einflusse seiner Lehrer (Charles Villiers Stanford, Bruch, Ravel) zu einem Personalstil amalgamiert hatte. Seine kompositorischen Vorstellungen konnte er ab 1919 als Professor am Royal College of Music in London seinen Studenten vermitteln. Seine asthetischen und anthropologischen Ansichten formulierte er in dem Buch »National Music«.
BookDOI
Pluralism: The Philosophy and Politics of Diversity
Maria Baghramian,Attracta Ingram +1 more
TL;DR: In this paper, Baghramian and Attracta Ingram discuss the relationship between Pluralism and Liberalism, and present a model of political obligation for women in liberal democracies.
Journal ArticleDOI
Tocqueville, Burke, and the Origins of Liberal Conservatism
TL;DR: De Tocqueville is not easily characterized as either a liberal or a conservative, but he resembles Edmund Burke as discussed by the authors in a number of specific dimensions, including their attitudes toward aristocracy, colonialism, property, rationalism, the tyranny of the majority, pluralism, and the meaning of history.