Unpacking Non-Dualistic Design: The Soma Design Case
HöökKristina,BenfordSteve,TennentPaul,TsaknakiVasiliki,AlfarasMiquel,AvilaJuan Martinez,LiChristine,MarshallJoseph,RoquetClaudia Daudén,SanchesPedro,StåhlAnna,UmairMuhammad,WindlinCharles,ZhouFeng +13 more
TLDR
In this article, the authors report on a somaesthetic design workshop and subsequent analytical work aiming to demystify what is entailed in a non-dualistic design stance on embodied interaction and why a first-person e...Abstract:
We report on a somaesthetic design workshop and the subsequent analytical work aiming to demystify what is entailed in a non-dualistic design stance on embodied interaction and why a first-person e...read more
Citations
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Proceedings ArticleDOI
Making New Worlds – Transformative Becomings with Soma Design
TL;DR: Soma design is intended to increase our ability to appreciate through all our senses and lead to more meaningful interactions with the world as discussed by the authors , and a longer-term study of soma design that shows evidence of this promise.
Journal ArticleDOI
Touching Our Breathing through Shape-Change: Monster, Organic Other, or Twisted Mirror
Pavel Karpashevich,Pedro Sanches,Rachael Garrett,Yoav Luft,Kelsey Cotton,Vasiliki Tsaknaki,Kristina Höök +6 more
TL;DR: Soma Corset as mentioned in this paper integrates sensing and actuation around the torso in tight interaction loops, leading to three flavors of cyborg relations: the wearer can adopt or reject the garment, resulting in either harmonious or disconcerting experiences of touch.
Proceedings ArticleDOI
Sensitive Pictures: Emotional Interpretation in the Museum
Steve Benford,Anders Sundnes Løvlie,Karin C. Ryding,Paulina Rajkowska,Edgar Bodiaj,Dimitrios Darzentas,Harriet Cameron,Jocelyn Spence,Joy Egede,Bogdan Spanjevic +9 more
TL;DR: Sensitive Pictures as mentioned in this paper is an emotional visitor experience co-created with the Munch art museum, where visitors choose emotions, locate associated paintings in the museum, experience an emotional story while viewing them, and self-report their response.
Proceedings ArticleDOI
Exploring Experiences with New Musical Instruments through Micro-phenomenology
Courtney Reed,Charlotte Nordmoen,Andrea Martelloni,Giacomo Lepri,Nicole Robson,Eevee Zayas-Garin,Kelsey Cotton,Lia Mice,Andrew P. McPherson +8 more
TL;DR: In this article , the authors present a case study of five micro-phenomenological interviews conducted with musicians about their experiences with existing digital musical instruments, revealing deep, clear descriptions of different modalities of synchronic moments in interaction, especially in tactile connections and bodily sensations.
References
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Conscious, preconscious, and subliminal processing: a testable taxonomy.
Stanislas Dehaene,Jean-Pierre Changeux,Jean-Pierre Changeux,Lionel Naccache,Jérôme Sackur,Claire Sergent +5 more
TL;DR: A taxonomy is proposed that distinguishes between vigilance and access to conscious report, as well as between subliminal, preconscious and conscious processing, and that conscious perception is systematically associated with surges of parieto-frontal activity causing top-down amplification.
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Affordance, conventions, and design
TL;DR: I was quietly lurking in the background of a CHI-Web discussion, when I lost all reason: I just couldn't take it anymore, and out came this article: I don't know if it changed anyone's minds, but it brought the discussion to a halt (not what good list managers want to happen).
Proceedings ArticleDOI
Combining gestures and direct manipulation
TL;DR: The video presents a two-phase interaction technique that combines gesture and direct manipulation, and the result is a powerful interaction which combines the advantages of gesturing anddirect manipulation.
Journal ArticleDOI
Implicit human computer interaction through context
TL;DR: In this article, an XML-based language to describe implicit human-computer interaction (HCI) is proposed, using contextual variables that can be grouped using different types of semantics as well as actions that are called by triggers.