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Journal ArticleDOI

Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician : Mapping and Identification of Artist Materials in Situ

TLDR
The mapping and identification of artists' materials in paintings using this method and the potential of reflection imaging spectroscopy, in particular if the shortwave infrared region is included along with information from luminescence imaging Spectroscopy are shown.
Abstract
Reflection imaging spectroscopy is a useful technique to remotely identify and map minerals and vegetation. Here we report on the mapping and identification of artists' materials in paintings using this method. Visible and infrared image cubes of Picasso's Harlequin Musician are collected using two hyperspectral cameras and combined into a single cube having 260 bands (441 to 1680 nm) and processed using convex geometry algorithms. The resulting 18 spectral end members are identified by comparison with library spectra, fitting by nonlinear mixing, and using results from luminescence imaging spectroscopy. The results are compared with those from X-ray fluorescence spectrometry, polarized light microscopy, and scanning electron microscopy–energy dispersive spectrometry (SEM/EDS). This work shows the potential of reflection imaging spectroscopy, in particular if the shortwave infrared region is included along with information from luminescence imaging spectroscopy.

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Advances in multispectral and hyperspectral imaging for archaeology and art conservation

TL;DR: An overview of the different instrumental designs, image processing techniques and various applications of multispectral and hyperspectral imaging to art conservation, art history and archaeology is given.
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Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts

TL;DR: This Account reports on the research activity carried out by two research groups, one at the "Nello Carrara" Institute of Applied Physics of the Italian National Research Council in Florence and the other at the National Gallery of Art in Washington, D.C, to develop multispectral and hyperspectral imaging systems to study works of art.
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Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts

TL;DR: In this article, a paradigm using multispectral visible and near-infrared imaging spectroscopy is presented to semi-automatically create unbiased spectral maps that guide the site selection for in situ analytical methods (e.g., fiber optic reflectance spectrograms and X-ray fluorescence) in order to identify and map pigments in illuminated manuscripts.
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Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

TL;DR: NIR reflectance imaging spectroscopy is a useful technique that can identify and map paint binding media based on differences in chemical composition and is demonstrated to be in agreement with prior site-specific amino acid analysis.
Journal ArticleDOI

Mobile depth profiling and sub-surface imaging techniques for historical paintings : a review

TL;DR: This review focuses on mobile non-destructive subsurface imaging and depth profiling techniques, which allow for the in-situ investigation of easel paintings, i.e. paintings on a portable support.
References
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Journal ArticleDOI

Imaging Spectrometry for Earth Remote Sensing

TL;DR: The initial results show that remote, direct identification of surface materials on a picture-element basis can be accomplished by proper sampling of absorption features in the reflectance spectrum.
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Multispectral Imaging System for the Mapping of Pigments in Works of Art by use of Principal-Component Analysis.

TL;DR: The methodology used to process the acquired data integrates spectral analysis with statistical image processing: in particular, the potential of principal-component analysis applied in this area is investigated.
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FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings

TL;DR: The analytical strengths and limitations of near-infrared (NIR) spectroscopy to non-invasively characterize organic components in painting materials have been investigated and first-derivative transformation of reflectance spectroscopic data has been applied to provide a simple and fast way to deduce more information from NIR spectra.
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Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis

TL;DR: In this paper, the applicability of laser-induced fluorescence (LIF) spectroscopy as a nondestructive analytical technique for artwork diagnostics is investigated, which is shown to be suitable for differentiating among the various cadmium pigments used in this study and furthermore, to be capable of identifying individual components in mixtures of these pigments on the basis of their characteristic fluorescence emission.
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Effects of spectrometer band pass, sampling, and signal-to-noise ratio on spectral identification using the Tetracorder algorithm

TL;DR: Clark et al. as mentioned in this paper derived an estimate of the signal-to-noise ratio at which a given percentage of the noisy spectra were identified correctly using the Tetracorder spectral identification algorithm.
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