http://science.sciencemag.org/content/sci/201/4359/899.2.full.pdf

Phenomenology of perception.

Transactions of the Institute of British Geographers

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Difference and Repetition

Lunds Civila Ryttarforening, LCR, is one of Sweden’s largest equestrian clubs with its facilities located in between Norra Faladen to the north and LTH to the south. To the west of the horse facilities is “Smorlyckans Idrottsplats” with football pitches, tennis courts, a Jujutsu club and a Home Guard’s building. The club has approximately 500 weekly riders and offers a wide range of activities within the the riding school, as well as stalls for private horses. Discussions on whether the equestrian centre should be relocated or not have reached a standstill as it has been going on for about 50 years. I believe that if LCR is to stay on its current site it can not continue to be an island. Therefore this project is an investigation into how the centre could be developed meeting and integrating with its surroundings. As much as the horse is the centre of the stable and the equestrian sport it’s also the centre of this project. “When Species Meet” is a what-if scenario on what could happen if we plan for the horse and who else that could benefit from that. In addition to the architectural proposal, one major question with the project has been to develop my own method and investigate how it’s possible to keep a high rate of complexity when working with a project. This is something I have done by taking the position of the horse instead of the architect. This change of position has provided me with a possibility to see the site, with all its opportunities, from a perspective that I couldn’t have without the horse. Therefore, this project is also a try on how it could be possible to take on other projects by relocating my investigation to several other positions relevant for those projects. (Less)

When Species Meet

Over the past two decades, geographers’ attentions to the ‘visual’ arts have broadened considerably. From a tightly focused study of 18th- and 19th-century landscape paintings this engagement now e...

Geography and art. An expanding field: Site, the body and practice

Creative Geographies, methods of experimental ‘art-full’ research that have creative practices at their heart, have become increasingly vibrant of late. These research strategies, which see geograp...

Creative geographic methods: knowing, representing, intervening. On composing place and page:

Geographers have engaged with a huge variety of art practices in the study of a range of different geographical themes. Using a series of examples including painting, mixed-media art and contemporary participatory works this paper explores three of these themes: landscape, critical spatialities and participation. Two different, although often entwined methodological approaches are set out, ‘dialogues’ whereby geographers interpret and analyse art works, and ‘doings’ in which geographers become exhibition curators, collaborate with artists and even become creative practitioners in their own right. During its course the paper considers the potential of the geographical study of art works to contribute to contemporary disciplinary debates around embodied experience, practice and more-than-human worlds. The paper also points towards a series of resources to help guide further study.

Dialogues and Doings: Sketching the Relationships Between Geography and Art

Thinking creative clusters beyond the city: people, places and networks.

This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creative practitioners. For Creative Geographies features seven diverse case studies of artists’ works and exhibitions made towards the end of the twentieth and the beginning of the twentieth-first century. Organized into three analytic sections, the volume explores the role of art in the making of geographical knowledge; the growth of geographical perspectives as art world analytics; and shared explorations of the territory of the body, In doing so, Hawkins proposes an analytic framework for exploring questions of the geographical “work” art does, the value of geographical analytics in exploring the production and consumption of art, and the different forms of encounter that artworks develop, whether this be with their audiences, or their makers.

Harriet Hawkins

Papers

Geography and art. An expanding field: Site, the body and practice

Creative geographic methods: knowing, representing, intervening. On composing place and page:

Dialogues and Doings: Sketching the Relationships Between Geography and Art

Thinking creative clusters beyond the city: people, places and networks.

For Creative Geographies: Geography, Visual Arts and the Making of Worlds