Example of Journal of Mathematics and Music format
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Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format Example of Journal of Mathematics and Music format
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open access Open Access

Journal of Mathematics and Music — Template for authors

Publisher: Taylor and Francis
Categories Rank Trend in last 3 yrs
Music #16 of 147 down down by 2 ranks
Applied Mathematics #339 of 548 down down by 76 ranks
Computational Mathematics #102 of 152 down down by 15 ranks
Modeling and Simulation #218 of 290 down down by 60 ranks
journal-quality-icon Journal quality:
High
calendar-icon Last 4 years overview: 53 Published Papers | 74 Citations
indexed-in-icon Indexed in: Scopus
last-updated-icon Last updated: 02/07/2020
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Journal Performance & Insights

Impact Factor

CiteRatio

Determines the importance of a journal by taking a measure of frequency with which the average article in a journal has been cited in a particular year.

A measure of average citations received per peer-reviewed paper published in the journal.

0.467

23% from 2018

Impact factor for Journal of Mathematics and Music from 2016 - 2019
Year Value
2019 0.467
2018 0.381
2017 0.143
2016 0.435
graph view Graph view
table view Table view

1.4

30% from 2019

CiteRatio for Journal of Mathematics and Music from 2016 - 2020
Year Value
2020 1.4
2019 2.0
2018 1.4
2017 1.4
2016 1.5
graph view Graph view
table view Table view

insights Insights

  • Impact factor of this journal has increased by 23% in last year.
  • This journal’s impact factor is in the top 10 percentile category.

insights Insights

  • CiteRatio of this journal has decreased by 30% in last years.
  • This journal’s CiteRatio is in the top 10 percentile category.

SCImago Journal Rank (SJR)

Source Normalized Impact per Paper (SNIP)

Measures weighted citations received by the journal. Citation weighting depends on the categories and prestige of the citing journal.

Measures actual citations received relative to citations expected for the journal's category.

0.214

27% from 2019

SJR for Journal of Mathematics and Music from 2016 - 2020
Year Value
2020 0.214
2019 0.169
2018 0.261
2017 0.115
2016 0.202
graph view Graph view
table view Table view

0.992

40% from 2019

SNIP for Journal of Mathematics and Music from 2016 - 2020
Year Value
2020 0.992
2019 1.661
2018 1.266
2017 0.371
2016 0.354
graph view Graph view
table view Table view

insights Insights

  • SJR of this journal has increased by 27% in last years.
  • This journal’s SJR is in the top 10 percentile category.

insights Insights

  • SNIP of this journal has decreased by 40% in last years.
  • This journal’s SNIP is in the top 10 percentile category.

Journal of Mathematics and Music

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Taylor and Francis

Journal of Mathematics and Music

Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional i...... Read More

Music

Computational Mathematics

Applied Mathematics

Modelling and Simulation

Arts and Humanities

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Last updated on
01 Jul 2020
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ISSN
1745-9737
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Impact Factor
High - 1.117
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Open Access
No
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Sherpa RoMEO Archiving Policy
Green faq
i
Plagiarism Check
Available via Turnitin
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Endnote Style
Download Available
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Bibliography Name
Taylor and Francis Custom Citation
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Citation Type
Numbered
[25]
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Bibliography Example
Blonder GE, Tinkham M, Klapwijk TM. Transition from metallic to tunneling regimes in superconducting microconstrictions: Excess current, charge imbalance, and supercurrent conversion. Phys Rev B. 1982; 25(7):4515–4532. Available from: 10.1103/PhysRevB.25.4515.

Top papers written in this journal

Journal Article DOI: 10.1080/17459737.2011.573676
Towards a generative syntax of tonal harmony
Martin Rohrmeier1

Abstract:

This paper aims to propose a hierarchical, generative account of diatonic harmonic progressions and suggest a set of phrase-structure grammar rules. It argues that the structure of harmonic progressions exceeds the simplicity of the Markovian transition tables and proposes a set of rules to account for harmonic progressions w... This paper aims to propose a hierarchical, generative account of diatonic harmonic progressions and suggest a set of phrase-structure grammar rules. It argues that the structure of harmonic progressions exceeds the simplicity of the Markovian transition tables and proposes a set of rules to account for harmonic progressions with respect to key structure, functional and scale degree features as well as modulations. Harmonic structure is argued to be at least one subsystem in which Western tonal music exhibits recursion and hierarchical organization that may provide a link to overarching linguistic generative grammar on a structural and potentially cognitive level. read more read less

Topics:

Generative grammar (60%)60% related to the paper, Emergent grammar (58%)58% related to the paper, Harmonic progression (55%)55% related to the paper, Diatonic scale (55%)55% related to the paper, Musical syntax (53%)53% related to the paper
217 Citations
open accessOpen access Journal Article DOI: 10.1080/17459730601137716
Diagrams, gestures and formulae in music
Guerino Mazzola1, Moreno Andreatta2

Abstract:

This paper shows an interplay of music and mathematics which strongly differs from the usual scheme reducing mathematics to a toolbox of formal models for music. Using the topos of directed graphs as a common base category, we develop a comprising framework for mathematical music theory, which ramifies into an algebraic and a... This paper shows an interplay of music and mathematics which strongly differs from the usual scheme reducing mathematics to a toolbox of formal models for music. Using the topos of directed graphs as a common base category, we develop a comprising framework for mathematical music theory, which ramifies into an algebraic and a topological branch. Whereas the algebraic component comprises the universe of formulae, transformations, and functional constraints as they are described by functorial diagrammatic limits, the topological branch covers the continuous aspects of the creative dynamics of musical gestures and their multilayered articulation. These two branches unfold in a surprisingly parallel manner, although the concrete structures (homotopy versus representation theory) are fairly heterogeneous. However, the unity of the underlying musical substance suggests that these two apparently divergent strategies should find a common point of unification, an idea that we describe in terms of a conjec... read more read less

Topics:

Topos theory (57%)57% related to the paper, Music theory (55%)55% related to the paper, Music and mathematics (54%)54% related to the paper, Representation theory (52%)52% related to the paper, Homotopy (52%)52% related to the paper
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59 Citations
Journal Article DOI: 10.1080/17459730701654990
David Lewin and maximally even sets

Abstract:

David Lewin originated an impressive number of new ideas in musical formalized analysis. This paper formally proves and expands one of the numerous innovative ideas published by Ian Quinn in his dissertation, to the import that Lewin might have invented the much later notion of Maximally Even Sets with but a small extension o... David Lewin originated an impressive number of new ideas in musical formalized analysis. This paper formally proves and expands one of the numerous innovative ideas published by Ian Quinn in his dissertation, to the import that Lewin might have invented the much later notion of Maximally Even Sets with but a small extension of his very first published idea, where he made use of Discrete Fourier Transform (DFT) to investigate the intervallic differences between two pc-sets. Many aspects of Maximally Even Sets (ME sets) and, more generally, of generated scales, appear obvious from this original starting point, which deserves, in our opinion, to become standard. In order to vindicate this opinion, we develop a complete classification of ME sets starting from this new definition. As a pleasant by-product we mention a neat proof of the hexachord theorem, which might have been the motivation for Lewin's use of DFT in pc-sets in the first place. The nice inclusion property between a ME set and its compl... read more read less
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49 Citations
Journal Article DOI: 10.1080/17459730903313122
Minimum description length modelling of musical structure
Panayotis Mavromatis1

Abstract:

This article presents a method of inductive inference whose aim is to build formal quantitative models of musical structure. The models are constructed by statistical extraction of significant patterns from a musical corpus. The minimum description length (MDL) principle is used to select the best model from among the members... This article presents a method of inductive inference whose aim is to build formal quantitative models of musical structure. The models are constructed by statistical extraction of significant patterns from a musical corpus. The minimum description length (MDL) principle is used to select the best model from among the members of a non-parametric model family characterized by an unbounded parameter set. The chosen model achieves optimal compromise between goodness-of-fit and model complexity, thereby avoiding the over-fitting normally associated with such a family of models. The MDL method is illustrated through its application to the Hidden Markov Model (HMM) framework. We derive an original mathematical expression for the MDL complexity of HMMs that employ a finite alphabet of symbols; these models are particularly suited to the symbolic modelling of musical structure. As an illustration, we use the proposed HMM complexity expression to construct a model for a common melodic formula in Greek church chant... read more read less

Topics:

Minimum description length (59%)59% related to the paper, Hidden Markov model (54%)54% related to the paper, Model selection (53%)53% related to the paper, Expression (mathematics) (51%)51% related to the paper
33 Citations
open accessOpen access Journal Article DOI: 10.1080/17459737.2011.640469
An algebra for periodic rhythms and scales
Emmanuel Amiot1, William A. Sethares1

Abstract:

This paper shows how scale vectors (which can represent either pitch or rhythmic patterns) can be written as a linear combination of columns of scale matrices, thus decomposing the scale into musically relevant intervals. When the scales or rhythms have different cardinalities, they can be compared using a canonical form clos... This paper shows how scale vectors (which can represent either pitch or rhythmic patterns) can be written as a linear combination of columns of scale matrices, thus decomposing the scale into musically relevant intervals. When the scales or rhythms have different cardinalities, they can be compared using a canonical form closely related to Lyndon words. The eigenvalues of the scale matrix are equal to the Fourier coefficients, which leads to a number of relationships between the scale vectors and the decompositions. Overcomplete dictionaries of frame elements can be used for more convincing representations by finding sparse decompositions, a technique that can also be applied to tiling problems. Scale matrices are related to familiar theoretical properties such as the interval function, Z-relation or homometry, all of which can be efficiently studied within this framework. In many cases, the determinant of the scale matrix is key: singular scale matrices correspond to Lewin's special cases, regular matric... read more read less

Topics:

Scale (ratio) (60%)60% related to the paper, Eigenvalues and eigenvectors (53%)53% related to the paper, Scaling (52%)52% related to the paper, Canonical form (52%)52% related to the paper
View PDF
33 Citations
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Journal of Mathematics and Music format uses Taylor and Francis Custom Citation citation style.

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Frequently asked questions

1. Can I write Journal of Mathematics and Music in LaTeX?

Absolutely not! Our tool has been designed to help you focus on writing. You can write your entire paper as per the Journal of Mathematics and Music guidelines and auto format it.

2. Do you follow the Journal of Mathematics and Music guidelines?

Yes, the template is compliant with the Journal of Mathematics and Music guidelines. Our experts at SciSpace ensure that. If there are any changes to the journal's guidelines, we'll change our algorithm accordingly.

3. Can I cite my article in multiple styles in Journal of Mathematics and Music?

Of course! We support all the top citation styles, such as APA style, MLA style, Vancouver style, Harvard style, and Chicago style. For example, when you write your paper and hit autoformat, our system will automatically update your article as per the Journal of Mathematics and Music citation style.

4. Can I use the Journal of Mathematics and Music templates for free?

Sign up for our free trial, and you'll be able to use all our features for seven days. You'll see how helpful they are and how inexpensive they are compared to other options, Especially for Journal of Mathematics and Music.

5. Can I use a manuscript in Journal of Mathematics and Music that I have written in MS Word?

Yes. You can choose the right template, copy-paste the contents from the word document, and click on auto-format. Once you're done, you'll have a publish-ready paper Journal of Mathematics and Music that you can download at the end.

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It only takes a matter of seconds to edit your manuscript. Besides that, our intuitive editor saves you from writing and formatting it in Journal of Mathematics and Music.

7. Where can I find the template for the Journal of Mathematics and Music?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Journal of Mathematics and Music's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

8. Can I reformat my paper to fit the Journal of Mathematics and Music's guidelines?

Of course! You can do this using our intuitive editor. It's very easy. If you need help, our support team is always ready to assist you.

9. Journal of Mathematics and Music an online tool or is there a desktop version?

SciSpace's Journal of Mathematics and Music is currently available as an online tool. We're developing a desktop version, too. You can request (or upvote) any features that you think would be helpful for you and other researchers in the "feature request" section of your account once you've signed up with us.

10. I cannot find my template in your gallery. Can you create it for me like Journal of Mathematics and Music?

Sure. You can request any template and we'll have it setup within a few days. You can find the request box in Journal Gallery on the right side bar under the heading, "Couldn't find the format you were looking for like Journal of Mathematics and Music?”

11. What is the output that I would get after using Journal of Mathematics and Music?

After writing your paper autoformatting in Journal of Mathematics and Music, you can download it in multiple formats, viz., PDF, Docx, and LaTeX.

12. Is Journal of Mathematics and Music's impact factor high enough that I should try publishing my article there?

To be honest, the answer is no. The impact factor is one of the many elements that determine the quality of a journal. Few of these factors include review board, rejection rates, frequency of inclusion in indexes, and Eigenfactor. You need to assess all these factors before you make your final call.

13. What is Sherpa RoMEO Archiving Policy for Journal of Mathematics and Music?

SHERPA/RoMEO Database

We extracted this data from Sherpa Romeo to help researchers understand the access level of this journal in accordance with the Sherpa Romeo Archiving Policy for Journal of Mathematics and Music. The table below indicates the level of access a journal has as per Sherpa Romeo's archiving policy.

RoMEO Colour Archiving policy
Green Can archive pre-print and post-print or publisher's version/PDF
Blue Can archive post-print (ie final draft post-refereeing) or publisher's version/PDF
Yellow Can archive pre-print (ie pre-refereeing)
White Archiving not formally supported
FYI:
  1. Pre-prints as being the version of the paper before peer review and
  2. Post-prints as being the version of the paper after peer-review, with revisions having been made.

14. What are the most common citation types In Journal of Mathematics and Music?

The 5 most common citation types in order of usage for Journal of Mathematics and Music are:.

S. No. Citation Style Type
1. Author Year
2. Numbered
3. Numbered (Superscripted)
4. Author Year (Cited Pages)
5. Footnote

15. How do I submit my article to the Journal of Mathematics and Music?

It is possible to find the Word template for any journal on Google. However, why use a template when you can write your entire manuscript on SciSpace , auto format it as per Journal of Mathematics and Music's guidelines and download the same in Word, PDF and LaTeX formats? Give us a try!.

16. Can I download Journal of Mathematics and Music in Endnote format?

Yes, SciSpace provides this functionality. After signing up, you would need to import your existing references from Word or Bib file to SciSpace. Then SciSpace would allow you to download your references in Journal of Mathematics and Music Endnote style according to Elsevier guidelines.

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