A Second Life. German Cinema's First Decades
Sheila Johnson,Thomas Elsaesser +1 more
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This article is published in German Studies Review.The article was published on 1998-01-24 and is currently open access. It has received 7 citations till now. The article focuses on the topics: German.read more
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The New Film History as Media Archaeology
TL;DR: The authors assesses the impact of digital technologies on our understanding of film history and makes a case for a new historiographical model, Media Archaeology, in order to overcome the opposition between "old" and "new" media, destabilized in today's media practice.
An Inverted Reflection: Representations of Finance and Speculation in Weimar Cinema
TL;DR: In this paper, the authors examine the frequent, yet overlooked, occurrence of depictions of financial activity and speculation in the cinema of the Weimar Republic and reveal a broader engagement with financial themes and speculative activity, evidenced in canonical as well as little known films of the time.
Cinema non facit saltus: Early German film and the cinematic psyche
TL;DR: In this paper, the authors propose a method to solve the problem of homonymity in homonym identification, i.e., homonymization, in the context of homology.
Dissertation
Beyond the Baustelle : redefining Berlin's contemporary cinematic brand as that of a global media city
TL;DR: In this paper, the authors investigate the relationship which exists between Berlin and cinema and offer an original discussion of Berlin's contemporary cinematic image by focussing on the manner in which branding is being used to promote the city's transformed urban space and societal structures.
Journal ArticleDOI
A Captivated Audience. Cinema-going at the zoological garden in occupied Antwerp, 1915-1918
TL;DR: A Captivated Audience as mentioned in this paper studies the organization, regulation and consumption of culture in occupied Belgium during the First World War through a case-study of the founding and day-to-day operations of Cinema Zoologie, the film theatre located at the Antwerp Zoo, demonstrated how tensions between organizers, audiences and the occupying force are played out in the leisure sphere.
References
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Journal ArticleDOI
The New Film History as Media Archaeology
TL;DR: The authors assesses the impact of digital technologies on our understanding of film history and makes a case for a new historiographical model, Media Archaeology, in order to overcome the opposition between "old" and "new" media, destabilized in today's media practice.
An Inverted Reflection: Representations of Finance and Speculation in Weimar Cinema
TL;DR: In this paper, the authors examine the frequent, yet overlooked, occurrence of depictions of financial activity and speculation in the cinema of the Weimar Republic and reveal a broader engagement with financial themes and speculative activity, evidenced in canonical as well as little known films of the time.
Cinema non facit saltus: Early German film and the cinematic psyche
TL;DR: In this paper, the authors propose a method to solve the problem of homonymity in homonym identification, i.e., homonymization, in the context of homology.
Dissertation
Beyond the Baustelle : redefining Berlin's contemporary cinematic brand as that of a global media city
TL;DR: In this paper, the authors investigate the relationship which exists between Berlin and cinema and offer an original discussion of Berlin's contemporary cinematic image by focussing on the manner in which branding is being used to promote the city's transformed urban space and societal structures.
Journal ArticleDOI
A Captivated Audience. Cinema-going at the zoological garden in occupied Antwerp, 1915-1918
TL;DR: A Captivated Audience as mentioned in this paper studies the organization, regulation and consumption of culture in occupied Belgium during the First World War through a case-study of the founding and day-to-day operations of Cinema Zoologie, the film theatre located at the Antwerp Zoo, demonstrated how tensions between organizers, audiences and the occupying force are played out in the leisure sphere.