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Acoustic Biotopes, Listeners and Sound-Induced Action: A Case Study of Operating Rooms

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TLDR
In this article , sound-induced action under the framework of acoustic biotopes was explored in a specific socio-technological environment, i.e., the context of an orthopaedic operating room.
Abstract
As socio-technological environments shape and direct listener behaviour, an ecological account is needed that encompasses listening in complexity (i.e., multiple listeners, multiple sounds and their sources, and multiple sound-induced actions that ensure the success of a mission). In this study, we explored sound-induced action under the framework of “acoustic biotopes” (a notion of ecological acoustics by Smolders, Aertsen, and Johanessma, 1979 and 1982) in a specific socio-technological environment, i.e., the context of an orthopaedic operating room. Our approach is based on literature research into the topics of environmental psychology and auditory perception and action and in situ observations in healthcare with field recordings, participatory observations, and interviews on the spot. The results suggest a human-centered definition of sound-induced action in acoustic biotopes: Acoustic biotope is an active and shared sound environment with entangled interactions and sound-induced actions taking place in a specific space that has a critical function. Listening in highly functional environments is an individual experience and is influenced by hearing function, physical position and role in an environment, and the task at hand. There is a range of active and passive sound listeners as a function of their attentive state and listeners as sound sources within the acoustic biotope. There are many different sound sources and sound locals in socio-technological environments and sounds have great potential to serve critical information to operators. Overall, our study provides a holistic, multi-layered and yet a listener-centric view on the organisation of complex spaces and the results can immediately be applicable for rethinking the acoustic environment for ORs for better listening and sound-induced action.

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Book

Audio-Vision: Sound on Screen

TL;DR: The Audiovisual ContractProjections of Sound on ImageThe Three Listening ModesBeyond Sounds and ImagesLines and Points: Horizontal and Vertical Perspectives on AudiovISual Relations
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TL;DR: In this paper, the authors take an ecological approach to everyday listening to overcome constraints on its study implied by more traditional approaches and develop a new framework for describing sound in terms of audible source attributes.
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Contextmapping: experiences from practice

TL;DR: In this paper, insights are shared, based on several projects from research and many years of industrial practice, of conducting user studies with generative techniques about how such studies can be conducted.
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TL;DR: This work discusses sound effects and source metaphors as methods of extending auditory icons beyond the limitations implied by literal mappings, and speculation on future directions for such interfaces is speculated.

Traité des objets musicaux

TL;DR: This dissertation aims to provide a history of music criticism in the post-modern period from 1989 to 2002, a period chosen in order to explore its roots as well as specific cases up to and including the year in which Pierre Schaeffer died.
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